Stumbling in the Dark: Facets of Sensory Perception and Robert Wilson's ‘H.G.‘ Installation
Stumbling in the Dark: Facets of Sensory Perception and Robert Wilson's ‘H.G.‘ Installation
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黑暗中绊倒：感官知觉的各个方面和罗伯特·威尔逊的“H.G.”装置
DOI：
10.1017/s0266464x00014779
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发表时间：
2001
影响因子：
0.1
通讯作者：
S. D. Benedetto
中科院分区：
文献类型：
--
作者：
S. D. Benedetto
我们接收和感知我们的味觉、听觉、触觉和嗅觉的方式都是我们理解艺术中介事件的潜在资源。虽然某些感知模式通常与视觉艺术而不是表演艺术相关，但现场艺术形式的发展已经开始挑战我们对戏剧化经验的惯例如何调整的理解。使用从现象学角度绘制的方法论，斯蒂芬·迪·贝内代托在这里考察了罗伯特·威尔逊的装置，H.G.，1995年，在伦敦桥附近的Clink展出，引发了观众的感官知觉之旅，并成为全方位感官资源可以“戏剧性”部署的典范。斯蒂芬·迪·贝内代托，在伦敦大学金史密斯学院获得博士学位，他的论文是关于作为视觉艺术的剧本创作，目前是休斯顿大学戏剧学院戏剧史助理教授，现在积极从事当代现场艺术和新爱尔兰和英国剧本创作中的身体研究。
The ways in which we receive and perceive what we taste, hear, touch, and smell all serve as potential resources for our understanding of an artistically mediated event. Though some modes of perception are more usually associated with the visual than the performing arts, the development of forms of Live Art has begun to challenge our understanding of how the conventions of theatricalizing experience can be modulated. Using methodologies drawn from a phenomenological perspective, Stephen Di Benedetto here examines the way in which Robert Wilson's installation, H.G., presented at the Clink, near London Bridge, in 1995, triggered a journey in sensory perception for its spectators, and served as an exemplar of the ways in which the full range of sensory resources can be ‘theatrically’ deployed. Stephen Di Benedetto, having received his PhD from Goldsmiths College, University of London, for his thesis on Playwriting as a Visual Art, is currently an Assistant Professor of Theatre History at the School of Theatre, University of Houston, and is now actively engaged in research on the body in contemporary Live Art and new Irish and English playwriting.