A corpus of Rembrandt paintings

A corpus of Rembrandt paintings
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伦勃朗画作集

DOI:
10.1007/978-1-4020-5786-1
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发表时间:
1982
期刊:
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影响因子:
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通讯作者:
E. Wetering
E. Wetering
中科院分区:
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文献类型:
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作者:
J. Bruyn;B. Haak;S. Levie;P. Thiel;E. Wetering

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《伦勃朗绘画全集》第四卷专门论述了伦勃朗的自画像。在一个明确的书面解释风格的负责人伦勃朗研究项目和编辑本卷,恩斯特货车德韦特林,讨论了全身的工作绘画和蚀刻描绘伦勃朗。他设定了接受或拒绝伦勃朗自画像的不同参数,同时也讨论了伦勃朗和他的学徒们的确切工作环境。这个工作室的设置创造了一个环境,学徒可以参与工作的伦勃朗绘画,使它更难以确定的手的主人。货车德韦特林,谁是我们这个时代的伦勃朗专家之一,详细解释了不同的自画像是如何制作的,以及伦勃朗使用了什么技术,还概述了哪些画是归因于荷兰大师,哪些不是。在附加目录中,自画像被详细检查。在清晰易懂的解释性文字中,讨论了不同的绘画,并配以每幅画完美无瑕的图像。在可能的情况下显示细节,以及现代技术成像的结果,如X射线照相术。这项艺术史和艺术研究工作应该成为每一个严肃的艺术史研究所、大学或博物馆的一部分。在艺术史上,没有任何一个地方像恩斯特·货车·德·韦特林这样的权威以如此详细和比较的方式讨论过伦勃朗的所有自画像。这是未来几十年的标准工作。
Volume IV of A Corpus of Rembrandt Paintings deals uniquely with the self-portraits of Rembrandt. In a clearly written explanatory style the head of the Rembrandt Research Project and Editor of this Volume, Ernst van de Wetering, discusses the full body of work of paintings and etchings portraying Rembrandt. He sets the different parameters for accepting or rejecting a Rembrandt self-portrait as such, whilst also discussing the exact working environment of Rembrandt and his apprentices. This workshop setting created a surroundings where apprentices could be involved in working on Rembrandt paintings making it more difficult to determine the hand of the master. Van de Wetering, who is one of the Rembrandt experts of our day and age, goes down to great detail to explain how the different self-portraits are made and what techniques Rembrandt uses, also giving an overview of which paintings are to be attributed to the Dutch Master and which not. In the additional catalogue the self-portraits are examined in detail. In clear and accessible explanatory text the different paintings are discussed, larded with immaculate images of each painting. Details are shown where possible, as well as the results of modern day technical imaging like X-radiography. This work of art history and art research should be part of every serious art historical institute, university or museum. Nowhere in the art history have all Rembrandt’s self portraits been discussed in such detailed and comparative manner by an authority such as Ernst van de Wetering. This is a standard work for decades to come.