Shamanic Dance in Japan:The Choreography of Possession in Kagura Performance
Shamanic Dance in Japan:The Choreography of Possession in Kagura Performance
复制标题
日本萨满教舞蹈：神乐表演中的附体编排
DOI：
10.2307/1178756
复制
发表时间：
1998
期刊：
影响因子：
--
通讯作者：
I. Averbuch
中科院分区：
文献类型：
--
作者：
I. Averbuch
助理讨论了日本神乐舞蹈中恍惚的舞蹈编排和其中保存下来的萨满元素。三个案例研究神乐：1。冈本神乐，其中一个真正的萨满恍惚仍然是执行，并作为一个比较点; 2。Hana Matsuri，其中有一个神乐舞蹈，被认为是表明舞蹈曾经包括一个拥有恍惚（kamigakari）; 3。神乐早钦，从来没有包括一个占有恍惚，但仍然显示出明确的萨满舞蹈编排在其舞蹈。使用这些案例研究，神乐的萨满性格进行了讨论，以及为什么这样的萨满舞蹈被保存，即使在真实的恍惚不存在。它还显示了神之祭是如何在舞蹈中表达的，以及它如何在这种表演中发挥作用。
The A. discusses the choreography of trance in Japanese kagura dances and the shamanic elements that have been preserved in them. Three case studies of kagura are examined: 1. ōmoto Kagura, in which an authentic shamanic trance is still performed and which serves as a point of comparison; 2. Hana Matsuri, which has a kagura dance which is believed to indicate that the dance once included a possession-trance (kamigakari); 3. Hayachine Kagura which never included a possession-trance but still displays clear shamanic choreography in its dances. Using these case studies, the shamanic character of kagura is discussed, as well as why such shamanic choreography is preserved even where real trance does not exist. It is also shown how kamigakari is expressed in dance and how it functions in such performances.