Lyric Interventions: Feminism, Experimental Poetry, and Contemporary Discourse
Lyric Interventions: Feminism, Experimental Poetry, and Contemporary Discourse
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抒情干预：女权主义、实验诗歌和当代话语
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发表时间：
2004
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通讯作者：
Linda A. Kinnahan
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作者：
Linda A. Kinnahan
“抒情干预”探讨了语言创新的诗歌，由当代妇女在北美和英国的实验引起了新的女权主义解读的抒情主题。琳达·金纳汉讨论的作品探讨了抒情主题与社会的关系：作为社会话语的产物和变革的管道。通过关注女性作家和女性主义视角，有助于语言导向诗歌的讨论，这种抒情实验的研究引起了对民族，性别，和种族，因为他们显着改变了实验的产生，定义和理解的术语。本研究的重点是抒情干预在不同的，但相关的领域，因为他们连接公共和意识形态规范的身份。首先，在芭芭拉·盖斯特、凯瑟琳·弗雷泽、埃里卡·亨特和M.努尔贝斯·菲利普。其次，实验性的参与与民族主义的身份认同，标志着卡罗尔·安·达菲，丹妮丝·莱利，温迪·穆尔福德和杰拉尔丁·蒙克的作品，探讨在英国的自我当代唤起。第三，在对所有诗人的讨论中，尤其是对盖斯特、弗雷泽、莱利、穆尔福德和蒙克的讨论中，通过与批评和先锋诗学话语的性别接触，对抒情诗“我”进行了形式上的实验。在整个研究中，金纳汉试图阐明和挑战视觉和语言结构的功能，使历史上支持白色的主体性变得可读，在艺术、诗歌、社交场所或国家政策的世界中，男性为中心的权力。女性主义的潜力，创新的抒情诗，以产生语言的惊喜，同时从事社会干预的风险策略借给力量和意义，公众参与这样的诗歌experiments.This新鲜，充满活力的研究将极大的兴趣，文学评论家和妇女研究学者，以及在大西洋两岸的诗人。"
"Lyric Interventions" explores linguistically innovative poetry by contemporary women in North America and Britain whose experiments give rise to fresh feminist readings of the lyric subject. The works discussed by Linda Kinnahan explore the lyric subject in relation to the social: an I as a product of social discourse and as a conduit for change.Contributing to discussions of language-oriented poetries through its focus on women writers and feminist perspectives, this study of lyric experimentation brings attention to the cultural contexts of nation, gender, and race as they significantly shift the terms by which the experimental is produced, defined, and understood.This study focuses upon lyric intervention in distinct but related spheres as they link public and ideological norms of identity. Firstly, lyric innovations with visual and spatial realms of cultural practice and meaning, particularly as they naturalize ideologies of gender and race in North America and the post-colonial legacies of the Caribbean, are investigated in the works of Barbara Guest, Kathleen Fraser, Erica Hunt, and M. Nourbese Philip. Secondly, experimental engagements with nationalist rhetorics of identity, marking the works of Carol Ann Duffy, Denise Riley, Wendy Mulford, and Geraldine Monk, are explored in relation to contemporary evocations of self in Britain. And thirdly, in discussions of all of the poets, but particularly accenuated in regard to Guest, Fraser, Riley, Mulford, and Monk, formal experimentation with the lyric I is considered through gendered encounters with critical and avant-garde discourses of poetics.Throughout the study, Kinnahan seeks to illuminate and challenge the ways in which visual and verbal constructs function to make readable the subjectivities historically supporting white, male-centered power within the worlds of art, poetry, social locations, or national policy. The potential of the feminist, innovative lyric to generate linguistic surprise simultaneously with engaging risky strategies of social intervention lends force and significance to the public engagement of such poetic experimentation.This fresh, energetic study will be of great interest to literary critics and womens studies scholars, as well as poets on both sides of the Atlantic."