The psychological basis of music appreciation: Structure, self, source.
The psychological basis of music appreciation: Structure, self, source.
复制标题
音乐欣赏的心理基础：结构、自我、来源。
DOI：
10.1037/rev0000364
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发表时间：
2022
影响因子：
5.4
通讯作者：
Margulis, Elizabeth Hellmuth
中科院分区：
文献类型：
--
作者：
Thompson, William Forde;Bullot, Nicolas J.;Margulis, Elizabeth Hellmuth
研究调查了心理过程，试图解释人们如何以及为何欣赏音乐。三个研究项目揭示了这些过程。第一个重点是音乐结构的欣赏。第二个研究调查对音乐的自我导向反应，包括音乐唤起的自传体记忆、自我意识的强化以及对个人健康和福祉的益处。第三个问题试图解释音乐听众如何对音乐创作的因果和背景来源变得敏感，包括表演的生物力学、音乐家及其意图的知识，以及音乐创作的文化和历史背景。迄今为止，这些研究项目的开展几乎没有互动，并且大多数音乐欣赏心理学调查中都省略了第三个项目。在本文中，我们回顾了这三种欣赏形式的证据。审查的证据承认，不同背景、个人、文化和历史时期的音乐欣赏的前因和原因存在巨大差异。我们确定升值的输入和输出，提出影响升值形式的过程，并对未来的研究做出预测。强调来源敏感性的证据是因为该主题在之前的讨论中基本上没有得到承认。这一证据暗示了一系列未经探索的过程，这些过程让人想起与音乐相关的因果和背景细节，并以重要的方式塑造我们对音乐的欣赏。
Research has investigated psychological processes in an attempt to explain how and why people appreciate music. Three programs of research have shed light on these processes. The first focuses on the appreciation of musical structure. The second investigates self-oriented responses to music, including music-evoked autobiographical memories, the reinforcement of a sense of self, and benefits to individual health and wellbeing. The third seeks to explain how music listeners become sensitive to the causal and contextual sources of music making, including the biomechanics of performance, knowledge of musicians and their intentions, and the cultural and historical context of music making. To date, these programs of research have been carried out with little interaction, and the third program has been omitted from most psychological enquiries into music appreciation. In this paper, we review evidence for these three forms of appreciation. The evidence reviewed acknowledges the enormous diversity in antecedents and causes of music appreciation across contexts, individuals, cultures, and historical periods. We identify the inputs and outputs of appreciation, propose processes that influence the forms that appreciation can take, and make predictions for future research. Evidence for source sensitivity is emphasized because the topic has been largely unacknowledged in previous discussions. This evidence implicates a set of unexplored processes that bring to mind causal and contextual details associated with music, and that shape our appreciation of music in important ways.