Popular Protest Music and the 2011 Egyptian Revolution
Popular Protest Music and the 2011 Egyptian Revolution
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流行抗议音乐与 2011 年埃及革命
DOI：
10.1080/03007766.2014.910905
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发表时间：
2014
影响因子：
0.5
通讯作者：
D. S. Mostafa
中科院分区：
文献类型：
--
作者：
Anastasia Valassopoulos;D. S. Mostafa
自 2011 年 1 月 25 日爆发以来，音乐和表演一直是正在进行的埃及革命的核心。在本文中，我们认为，流行抗议音乐尤其有助于塑造和表达新出现的欲望和愿望，以及参与政治变革现场的批评和不满。我们的目的是通过对流行抗议歌曲的分析，展示流行文化是如何想象、表达和定义 2011 年埃及革命的。我们追溯了旧革命歌曲之间的联系以及它们如何影响新歌曲，同时探讨了一些关于流行音乐在革命斗争时期的作用的理论问题，以便将代表埃及革命的抗议歌曲领域置于背景之中。本文的最后一部分列出了一些重要的流行乐队、音乐家和歌手，他们作为 2011 年革命的“声音”而崛起并获得了动力。
Music and performance have been at the heart of the ongoing Egyptian revolution since its outbreak on January 25, 2011. In this paper, we argue that popular protest music in particular has helped to shape and articulate emerging desires and aspirations as well as participating in criticisms and grievances at the site of political change. We aim to demonstrate, through the analysis of popular protest songs, how the 2011 Egyptian revolution has been imagined, articulated, and defined in popular culture. We trace the links between older revolutionary songs and how they have impacted new ones, while engaging with a number of theoretical issues on the role of popular music during periods of revolutionary struggles, in order to contextualize the domain of protest songs representing the Egyptian revolution. The last section of the article maps out a number of key popular music bands, musicians, and singers who have emerged and gained momentum as the “voice” of the 2011 revolution.