Perceiving musical tension in long chord sequences
Perceiving musical tension in long chord sequences
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DOI：
10.1007/s004260050053
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发表时间：
1999-12-01
影响因子：
2.3
通讯作者：
Parncutt, R
中科院分区：
文献类型：
--
作者：
Bigand, E;Parncutt, R
我们试图预测感知的音乐张力在较长的和弦序列的层次和顺序模型的基础上Lerdahl和Jackendoffs和Lerdahl的认知理论和Parncutt的感觉心理声学理论。音乐家和非音乐家被要求对和弦的张力进行评分，这些和弦是从为研究创作的作品中提取的（Exp. 1)或从肖邦前奏曲（Exps.第2-4段）。在Exps。在图3和图4中，进行了几次实验操作，以强调作品的整体或局部结构，并验证这些操作如何影响模型在评级中的各自贡献。在所有的实验中，音乐的张力只有微弱的整体谐波结构的影响。相反，它似乎主要是由当地的和谐终止。Lerdahl和Jackendoff的层次模型提供了最适合的张力评级，不是因为它占了全球层次效应，而是因为它捕捉了节奏的局部效应。通过对这些局部结构的反应，紧张等级与层次模型非常吻合，尽管参与者对作品的整体结构相对不敏感。作为一个主要的结果，有人认为，音乐事件被认为是通过一个短的感知窗口滑动从节奏到节奏沿着一个序列。
We attempted to predict perceived musical tension in longer chord sequences by hierarchic and sequential models based on Lerdahl and Jackendoffs and Lerdahl's cognitive theories and on Parncutt's sensory-psychoacoustical theory. Musicians and nonmusicians were asked to rate the perceived tension of chords which were drawn either from a piece composed for the study (Exp. 1) or from a Chopin Prelude (Exps. 2-4). In Exps. 3 and 4, several experimental manipulations were made to emphasize either the global or the local structure of the piece and to verify how these manipultions would affect the respective contribution of the models in the ratings. In all experiments, musical tension was only weakly influenced by global harmonic structure. Instead, it mainly seemed to be determined locally, by harmonic cadences. The hierarchic model of Lerdahl and Jackendoff provided the best fit to tension ratings, not because it accounted for global hierarchic effects, but because it captured the local effect of cadences. By reacting to these local structures, tension ratings fit quite well with a hierarchic model, even though the participants were relatively insensitive to the global structure of the pieces. As a main outcome, it is argued that musical events were perceived through a short perceptual window sliding from cadence to cadence along a sequence.