Media and Nostalgia
Media and Nostalgia
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媒体与怀旧
DOI：
10.1057/9781137375889_9
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发表时间：
2014
期刊：
影响因子：
--
通讯作者：
Hoskins A
中科院分区：
文献类型：
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作者：
Hoskins A
当代记忆热潮的开始（Huyssen，2003；Winter，2006；Hoskins 和 O’Loughlin，2010）对许多人来说标志着大众的承受能力和盒式录像机的普及、1978 年 NBC 首播的大屠杀电视迷你剧（Shandler，1999）以及 1980 年《教父》英文译本的出版。集体记忆：莫里斯·哈尔布瓦克斯的《论集体记忆》。从那时起：繁荣，繁荣，繁荣！无论以何种标准衡量，无论是庆祝还是嘲笑，对过去的转向和回顾都是无情的。当代记忆繁荣的离心力是围绕冲突记忆的性质、形式和地位、“大屠杀话语的全球化”（Huyssen，2003）、一切的创伤以及“记忆权”的锚定和原子化辩论。其驱动因素包括人们越来越痴迷于纪念和纪念二十世纪的冲突和灾难所带来的创伤和胜利（Winter，1995；Sturken，1997；Simpson，2006）。
The start of the contemporary memory boom (Huyssen, 2003; Winter, 2006; Hoskins and O’Loughlin, 2010) is marked for many by the mass affordabiliiy and the availability of the video cassette recorder, the premiere screening of the Holocaust television miniseries on NBC in 1978 (Shandler, 1999) and the 1980 publication of the English translation of the Godfather of collective memory: Maurice Halbwachs’On CollectiveMemory. Since then: boom, boom, boom! By whatever measure, celebrated and derided, the turn to and on the past has been relentless. The contemporary memory boom’s centrifugal force is the anchoring and atomising debate around the nature, form and status of the remembering of conflict, the ‘globalising of Holocaust discourses’ (Huyssen, 2003), the trauma of everything, and the ‘right to remember’. Its driving factors include the increasing obsession with the commemoration and memorialisation of the traumas and triumphs of, particularly, twentieth-century conflicts and catastrophes (Winter, 1995; Sturken, 1997; Simpson, 2006).