Space, time and architecture : the growth of a new tradition

Space, time and architecture : the growth of a new tradition
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空间、时间和建筑:新传统的成长

DOI:
10.2307/3046945
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发表时间:
1941
期刊:
影响因子:
0.7
通讯作者:
S. Giedion
S. Giedion
中科院分区:
--
文献类型:
--
作者:
S. Giedion

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作为现代思想的里程碑,《空间、时间和建筑》自1941年首次出版以来,已多次再版,并被翻译成六种语言。在吉迪恩先生经典作品的修订版中,增加了主要部分,并增加了81幅新插图。关于当代领先建筑师的章节已经大大扩展。关于弗兰克·劳埃德·赖特和沃尔特·格罗皮乌斯最近的建筑,特别是他在雅典的美国大使馆,有了新的材料。在对勒·柯布西耶的讨论中,吉迪翁详细分析了哈佛大学的木匠中心,这是勒·柯布西耶在美国唯一的建筑,以及他在里昂附近的拉图雷特修道院。其中有一节介绍了他与客户的关系,以及对他对当代建筑影响的评估,包括对苏黎世的勒·柯布西耶中心(Le Corbusier Center)的描述(该中心是在他去世前设计的),里面存放着他的艺术作品。关于密斯·范德罗和阿尔瓦·阿尔托的章节已经更新,并提供了他们在60年代的建筑实例。关于丹麦建筑师乔恩·乌特松的设计有了一个全新的篇章,吉迪恩认为他的作品代表了二战后的建筑理念,悉尼歌剧院的设计就是一个例子。一篇名为《改变城市观念》的新文章追溯了历史上城市结构的演变,并考察了当前处理城市增长的尝试,如何塞·路易斯·瑟特、Kenzo Tange和Fumihiko Maki等建筑师的作品所显示的那样。Sert先生的Peabody Terrace作为集体和个人领域相互关联的一个例子进行了讨论。最后,结论被扩大到包括对有机在建筑中的局限性的调查。
A milestone in modern thought, "Space, Time and Architecture" has been reissued many times since its first publication in 1941 and translated into half a dozen languages. In this revised edition of Mr. Giedion's classic work, major sections have been added and there are 81 new illustrations. The chapters on leading contemporary architects have been greatly expanded. There is new material on the later development of Frank Lloyd Wright and the more recent buildings of Walter Gropius, particularly his American Embassy in Athens. In his discussion of Le Corbusier, Mr. Giedion provides detailed analyses of the Carpenter Center at Harvard University, Le Corbusier's only building in the United States, and his Priory of La Tourette near Lyons. There is a section on his relations with his clients and an assessment of his influence on contemporary architecture, including a description of the Le Corbusier Center in Zurich (designed just before his death], which houses his works of art. The chapters on Mies van der Rohe and Alvar Aalto have been brought up to date with examples of their buildings in the sixties. There is an entirely new chapter on the Danish architect Jorn Utzon, whose work, as exemplified in his design for the Sydney Opera House, Mr. Giedion considers representative of post-World War II architectural concepts. A new essay, "Changing Notions of the City," traces the evolution of the structure of the city throughout history and examines current attempts to deal with urban growth, as shown in the work of such architects as Jose Luis Sert, Kenzo Tange, and Fumihiko Maki. Mr. Sert's Peabody Terrace is discussed as an example of the interlocking of the collective and individual spheres. Finally, the conclusion has been enlarged to include a survey of the limits of the organic in architecture.