Post Critical Museology: Theory and Practice in the Art Museum
Post Critical Museology: Theory and Practice in the Art Museum
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后批判博物馆学：艺术博物馆的理论与实践
DOI：
10.4324/9780203084595
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发表时间：
2012
影响因子：
1.1
通讯作者：
V. Walsh
中科院分区：
文献类型：
--
作者：
A. Dewdney;David Dibosa;V. Walsh
后批评博物馆学思考公众的角色和观众的体验对美术馆的日常工作意味着什么。它是从美术馆本身和它寻找的参观者的角度来做这件事的。通过对伦敦泰特英国分校进行的一个大型合作研究项目收集的材料的分析，这本书对艺术、文化和社会之间的关系进行了概念上的重新配置，其中研究了艺术博物馆与全球移民和新媒体生态的关系问题。这表明，尽管欧洲的博物馆以前被作为收藏、遗产和传统的机构来研究，无论它们的关注点是多么“现代”，但现在更好的做法是将它们视为分配网络，在其中价值沿着跨媒体和跨文化的路线传播。
后批评博物馆学旨在为进步的博物馆学思想和实践做出贡献，并呼吁学者和专业人员在它宣布的后批评博物馆学领域建立新的联盟。这一联盟致力于重新思考21世纪的艺术博物馆可能是什么，以及在快速变化的社会和文化背景下，其未来的从业人员可能会利用哪些知识和理解。这本书的目标是成为日益增长的博物馆研究领域的必读书籍。它还将引起所有在文化领域工作的人的专业兴趣，包括博物馆专业人员、政策制定者和艺术经理。
Post-Critical Museology considers what the role of the public and the experience of audiences means to the everyday work of the art museum. It does this from the perspectives of the art museum itself as well as from the visitors it seeks. Through the analysis of material gathered from a major collaborative research project carried out at Tate Britain in London the book develops a conceptual reconfiguration of the relationship between art, culture and society in which questions about the art museum’s relationship to global migration and the new media ecologies are examined. It suggests that whilst European museums have previously been studied as institutions of collection, heritage and tradition, however ‘modern’ their focus, it is now better to consider them as distributive networks in which value travels along transmedial and transcultural lines.
Post-Critical Museology is intended as a contribution to progressive museological thinking and practice and calls for a new alignment of academics and professionals in what it announces as post-critical museology. An alignment that is committed to rethinking what an art museum in the twenty-first century could be, as well as what knowledge and understanding its future practitioners might draw upon in a rapidly changing social and cultural context. The book aims to be essential reading in the growing field of museum studies. It will also be of professional interest to all those working in the cultural sphere, including museum professionals, policy makers and art managers.