Aerial Environments on the Early Modern Stage - Theatres of the Air, 1576-1609
Aerial Environments on the Early Modern Stage - Theatres of the Air, 1576-1609
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现代早期舞台上的空中环境 - 空中剧场，1576-1609 年
DOI：
10.1093/oso/9780192843326.001.0001
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发表时间：
2022
期刊：
影响因子：
--
通讯作者：
Preedy C
中科院分区：
文献类型：
--
作者：
Preedy C
在英国职业剧院的早期，包括德克尔、格林、海伍德、琼森、马洛、米德尔顿和莎士比亚在内的剧作家都为剧场创作剧本，这些剧场虽然被围墙围起来，但仍然对周围的空气和天空开放。为在这些露天场所演出而写的戏剧引起了人们对它与空气空间关系的关注和反思。在想象理论强调戏剧表演对空气的依赖和暗示的时代，舞台小说是从空气中呈现和接受的，为露天场所表演而写的戏剧经常引起人们对这种基本关系的性质和意义的关注。《早期现代舞台上的空中环境》考虑了早期现代戏剧中空气出现的各种方式，分析了1576年至1609年间在伦敦露天剧场演出的100多部作品，并参考了戏剧氛围和空中遭遇。它探讨了各种戏剧效果和舞台策略如何突出早期现代戏剧的关系，并影响到实际的剧场空气。考虑到露天戏剧对空中意象、动作和表现策略的普遍和持续关注，这本书认为剧作家和他们的公司发展了一种戏剧意识，从地球延伸到包括并明确了空气的空间。
During the early days of the professional English theatre, dramatists including Dekker, Greene, Heywood, Jonson, Marlowe, Middleton, and Shakespeare wrote for playhouses that, though enclosed by surrounding walls, remained open to the ambient air and the sky above. The drama written for performance at these open-air venues drew attention to and reflected on its own relationship to the space of the air. At a time when theories of the imagination emphasized dramatic performance's reliance upon and implication in the air from and through which its staged fictions were presented and received, plays written for performance at open-air venues frequently draw attention to the nature and significance of that elemental relationship. Aerial Environments on the Early Modern Stage considers the various ways in which the air is brought into presence within early modern drama, analyzing more than a hundred works that were performed at the London open-air playhouses between 1576 and 1609, with reference to theatrical atmospheres and aerial encounters. It explores how various theatrical effects and staging strategies foregrounded early modern drama's relationship to, and impact on, the actual playhouse air. In considering open-air drama's pervasive and ongoing attention to aerial imagery, actions, and representational strategies, the book suggest that playwrights and their companies developed a dramaturgical awareness that extended from the earth to encompass and make explicit the space of air.