The Rhythm of Echoes and Echoes of Violence
The Rhythm of Echoes and Echoes of Violence
复制标题
回声的节奏和暴力的回声
DOI：
--
复制
发表时间：
2017
期刊：
影响因子：
--
通讯作者：
Mickey Vallee
中科院分区：
文献类型：
--
作者：
Mickey Vallee
本文通过对列费夫尔的节奏分析的方法论应用和扩展，为非眼中心主义的理论和理论化做出了贡献。它探讨了回声和历史的文化动力学，作为一个工具的案例研究史蒂夫赖希的1966年磁带循环组成，出来，阐明时间，时间性和可能性的矛盾和矛盾的关系。虽然重点主要是在出来的文本及其警察暴行和公民权利的背景下，它还有助于丰富和历史接地的理解rhythmanalysis，同时与rhythmanalysis作为一种方法，基于回声的扩展概念提出。
This paper contributes to non-ocularcentric theory and theorizing by way of a methodological application and extension of Henri Lefebvre’s Rhythmanalysis. It explores the cultural dynamics of echoes and history, using as an instrumental case study Steve Reich’s 1966 tape-loop composition, Come Out, to elucidate the ambivalent and contradictory relations of time, temporality, and possibility. While the focus is primarily on the text of Come Out and its context of police brutality and civil rights, it moreover contributes to an enriched and historically grounded understanding of rhythmanalysis while engaging with rhythmanalysis as a methodology, based on the expanded conception of echoes proposed.