Changing Song
Changing Song
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改变歌曲
DOI：
10.2307/j.ctv8pzb14
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发表时间：
1990
期刊：
影响因子：
--
通讯作者：
M. Silverberg
中科院分区：
文献类型：
--
作者：
M. Silverberg
中野重治（1902-1979）是20世纪日本著名的诗人和社会批评家，他改变了20世纪20年代的革命文化运动。米里亚姆·西尔弗伯格将中野的思想定位于日本马克思主义的历史中，将文本分析应用于他的战前著作中，以形成一个新的视角来看待日本左翼的政治和文化史。她的书将中野与西方马克思主义传统联系起来，承认存在一种日本马克思主义的商品文化理论，并用这一理论照亮了时代。特别是，西尔弗伯格指出中野如何像他的欧洲同时代人一样，致力于对大众文化的批判，说明20世纪20年代和30年代的日本思想家如何将马克思主义作为政治和知识探索的主导方法。这本书借鉴了马克思的著作和格奥尔格·卢卡奇、瓦尔特·本雅明、安东尼奥·葛兰西、贝托尔特·布雷希特和米哈伊尔·巴赫金的著作，将中野作为马克思主义批评家和诗人来介绍。（其中大多数是第一次出现在英语中），小说，和监狱信件追踪中野的“变化的歌曲”或意识通过四个阶段-从他的“发现历史”在中期，20世纪20年代到30年代末，他拒绝沉默，当时他对加强国家镇压进行了一系列严厉的攻击。
Nakano Shigeharu (1902-1979), leading twentieth-century Japanese poet and social critic, transformed the revolutionary culture movement of the 1920s. Positioning Nakano's thought within the very history of Japanese Marxism, Miriam Silverberg applies textual analyses to his pre-war writings to form a new perspective on the history of the politics and culture of the Japanese left. Her book relates Nakano to the Western Marxist tradition, recognizes the existence of a Japanese Marxist theory of commodity culture, and uses this theory to illuminate the era. In particular, Silverberg addresses how Nakano, like his European contemporaries, worked toward a critique of mass culture, illustrating how Japanese thinkers in the 1920s and 1930s adopted Marxism as the dominant method of political and intellectual inquiry. This book draws on Marx's writings and those of Georg LukNBcs, Walter Benjamin, Antonio Gramsci, Bertolt Brecht, and Mikhail Bakhtin to present Nakano as a Marxist critic and poet. Close readings of Nakano's essays, poems (most of them appearing for the first time in English), fiction, and prison letters trace Nakano's "changing song" or consciousness through four stages--from his "discovery of history" in the mid-1920s to his refusal to be silenced during the late 1930s, when he produced a series of scathing attacks on intensifying state repression.