Ethos Socrates Talks Himself Out of His Body
Ethos Socrates Talks Himself Out of His Body
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苏格拉底精神从他的身体中谈论自己
DOI:
10.1002/9780470999851.ch13
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发表时间:
2007
期刊:
影响因子:
--
通讯作者:
Eugene Garver
中科院分区:
文献类型:
--
作者:
Eugene Garver
Plato’s Phaedo might seem the most anti-rhetorical work of a most anti-rhetorical writer. Socrates insists, here as elsewhere, that only reason should count, in discourse and in life. We should aim at truth, not persuasion. That anti-rhetorical stance is reinforced by the subject of the Phaedo. If anything should be decided by reason alone, it’s the immortality of the soul. If there ever was a question where the opinions of the audience were irrelevant and likely to be corrupted by wishful thinking, selfdeception, and other passions, it’s the immortality of the soul. The Phaedo contains a series of four abstract, theoretical proofs of the immortality of the soul, self-contained and set off from the rest of the discussion, which involve the particular emotions, hopes, and fears of Socrates and his interlocutors, and culminating in a myth and, finally, Socrates’ death. The proofs seem to fulfill Socrates’ antirhetorical ambitions by making discourse about immortality as purely logical as possible. Even the myth at the end of the dialogue is self-contained; it doesn’t build on any of the proofs and there seems to be no reason why it could not have been offered at any point in the discussion. The self-contained nature of the proofs mirrors the self-contained nature of the soul that Socrates will argue is immortal. The Phaedo is more anti-rhetorical than Plato’s other dialogues, even those where he attacks and condemns rhetoric. Here alone Socrates is not interested in persuading others.‘‘I shall not be eager to make what I say seem true to my hearers, except as a secondary matter, but shall be very eager to make myself believe it’’(91a8–9). The anti-rhetorical nature of the Phaedo comes from Socrates’ lack of interest, in his final hours, in persuading anyone else.