Beyond Outrage: Approaching Arts Controversy in Postcommunist Poland
Beyond Outrage: Approaching Arts Controversy in Postcommunist Poland
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超越愤怒：后共产主义波兰的艺术争议
DOI：
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发表时间：
2020
影响因子：
0.7
通讯作者：
Anita Pluwak
中科院分区：
文献类型：
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作者：
Anita Pluwak
近几十年来，公众对艺术表达的分歧已经成为当代民主文化的一个重要特征。东欧和中欧的前共产主义国家也是如此，例如波兰，在那里，持续的艺术争议已成为后共产主义时代的核心组成部分。本文探讨了后共产主义波兰艺术冲突的特点，它们与当代艺术争议的其他模式的关系，以及它们特有的“后共产主义”特质。它还研究了1989年后波兰对艺术争议的理解和解释的演变-从20世纪90年代对主要视觉艺术的可耻愤怒，到接下来十年的决定性文化和政治转折点，再到近年来关于有争议的戏剧作品的辩论，如戈尔戈塔野餐（2014），公共领域和后共产主义转型的结果。
In recent decades, public disagreements over artistic expression have emerged as a key feature of contemporary democratic culture. This has also been the case in the formerly communist countries of East and Central Europe such as Poland where persistent arts controversy has become a central component of the postcommunist era. This article explores the characteristics of postcommunist Poland’s arts conflicts, how they relate to other models of contemporary arts controversy, and what might be deemed their specific “postcommunist” qualities. It also looks into the evolution of how arts controversy has been understood and interpreted in Poland after 1989—from the 1990s’ scandalous outrage with mostly visual arts, through the decisive cultural and political turning points of the following decade, up to the debates of recent years about controversial theatre productions like Golgota Picnic (2014), the public sphere and the outcomes of postcommunist transformation.