Screenwriting research in Australia: A truncated (pre)history
Screenwriting research in Australia: A truncated (pre)history
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澳大利亚的编剧研究：一段被截断的（前）历史
DOI：
10.1386/josc_00059_1
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发表时间：
2021
影响因子：
0.2
通讯作者：
Steven Maras
中科院分区：
文献类型：
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作者：
Steven Maras
近年来，人们对研究领域和学科史的兴趣日益浓厚。虽然认识到一些局限性，本文探讨了在澳大利亚的剧本创作研究的出现。它提出了一个问题，
在澳大利亚引发了当代剧本创作研究。本文讨论了三个关键因素：第一，长期以来围绕电影和电视的文化身份和内容的政策设置;第二，围绕“屏幕文化”的积极辩论，
文化和故事的地位特别突出，并有助于意识到文化的“价值”问题，以及生产和消费的传统分离;第三，20世纪70年代电影研究的兴起，这使叙事和故事的研究发酵
forms.我的目标是捕捉一些背景特征，这些特征对理解这一时期和地理上的剧本创作研究很重要，并表明剧本创作研究是作为知识态度和兴趣领域出现的，最终结晶为一部分。
在21世纪后半叶，一个更正式的竞技场的研究。
Recent years have seen a growing interest in the history of fields of study and academic disciplines. While recognizing a number of limitations, this article explores the emergence of screenwriting research in Australia. It addresses the question of what were the cultural conditions
that gave rise to contemporary screenwriting research in Australia. The article discusses three key factors: firstly, long-standing policy settings around cultural identity and content in film and television; secondly, active debates around ‘screen culture’ that have given discussions
of the place of culture and story special prominence and contributed to awareness of questions of cultural ‘value’, and conventional separations of production and consumption; thirdly, the rise of film studies in the 1970s, which gave ferment to research into narrative and story
forms. My goal is to capture some of the contextual features that are important to an understanding of screenwriting research in this period and geography, and to suggest that screenwriting research emerged as intellectual attitude and area of interest that eventually crystallized as part
of a more formalized arena of study in the later 2000s.