William Calder Marshall's Biblical Historicism: The Book of Job (1862-63)
William Calder Marshall's Biblical Historicism: The Book of Job (1862-63)
复制标题
威廉·考尔德·马歇尔的圣经历史主义:《约伯记》(1862-63)
DOI:
10.1093/jvcult/vcac047
复制
发表时间:
2023
影响因子:
0.3
通讯作者:
Edwards J
中科院分区:
文献类型:
--
作者:
Edwards J
William Calder Marshall’s white-marble mural panel, The Book of Job, was completed in 1863 and represents a cosmopolitan stylistic eclecticism, as we shall see, precisely attuned to period debates about the Old Testament as a historical document, subject to archaeological verification (Figure 1). 1The sculptor’s relief depicts the Old Testament prophet on the right, addressing the figures opposite, his body inclined towards viewers. Job has a vaguely Assyrian-looking, chest-length, long, thick, curly beard. His beard, in combination with his Greco-Roman profile, suggests he is an ancient classical philosopher, thus making him an ideal early adopter of Matthew Arnold’s culture, combining, as he does, Hebraism with Hellenism, although anticipating the publication of Culture and Anarchy (1867–1869) by some years. Job wears a band of fabric around his head, with a fringed band over his left ear. These are presumably meant to indicate tefillin, black, kosher-leather straps from leather boxes containing Hebrew parchment scrolls, worn by Jewish men over the age of bar mitzvah, emphasizing God’s unequivocal power, a key theme in The Book of Job, as we shall see. One tefillinis, as here, worn on the head and one on the forearm, in fulfilment of the verse in Deuteronomy:‘You shall bind them as a sign upon your hand, and they shall be a reminder between your eyes’(6. 8).