The Making of the Brave Sheep or … the Laboratory as the Unlikely Space of Attunement to Animal Emotions

The Making of the Brave Sheep or … the Laboratory as the Unlikely Space of Attunement to Animal Emotions
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勇敢的绵羊的制作或……实验室作为协调动物情感的不可能空间

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发表时间:
2016
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通讯作者:
M. Miele
M. Miele
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文献类型:
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作者:
M. Miele

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科恩(2003)认为,动物、人类和物体必须被一起评价,因为它们形成了各种临时的活动生物集群。在这篇文章中,我借鉴了物质符号学和演员网络理论的见解,研究了动物科学家和绵羊在特定实验中聚集在一起的一个临时群体,以及一系列致力于探索绵羊情绪的动物科学实践。这项实验是在法国克莱蒙费朗国家农业研究所的动物科学农场和实验室进行的,作为农场动物情绪项目的一部分(EmoFarm,2010-2015)。在这里,我认为,实验室可以被视为一个不太可能的调谐农场动物情绪的空间,借用拉图尔的话说,绵羊的身体留下了一个动态的轨迹,通过这个轨迹,她学会了注册并对世界的构成变得敏感(拉图尔2004,205)。通过观察这一临时的活跃的存在及其产生的东西,我参与了与阿甘本(2009)的签名理论和金兹堡(1989)的签名方法的对话。
Cohen (2003) argued that animals, humans, and objects must be appraised together as they form various, temporary clusters of active beings. In this article, drawing on material semiotics and actor-network theory insights, I look at one such temporary cluster of animal scientists and sheep brought together in a specific experiment and a set of animal science practices dedicated to exploring sheep emotions. This experiment was carried out at an animal science farm and laboratory of the National Institute of Agricultural Research in Clermont Ferrand, France, as part of a project on farm animals’ emotions (EmoFarm, 2010–2015). Here, I argue, the laboratory can be seen as an unlikely space of attunement to farm animals’ emotions, and the sheep body, to borrow from Latour, is what leaves a dynamic trajectory by which she learns to register and become sensitive to what the world is made of (Latour 2004, 205). By looking at this temporary cluster of active beings and what they produce, I engage in a conversation with Agamben’s (2009) theory of signatures and Ginzburg’s (1989) signatorial method.