The art of the project : projects and experiments in modern French culture
The art of the project : projects and experiments in modern French culture
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项目的艺术：现代法国文化的项目和实验
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发表时间：
2005
期刊：
影响因子：
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通讯作者：
M. Sheringham
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作者：
J. Gratton;M. Sheringham
“项目”的概念跨越了一般、学科和文化的界限。当作家和艺术家们越来越多地将他们的实践描述为“项目”时，对“项目”的实际想法的批评关注非常少。这本论文集回应了一个迫切的需要，提出了一个框架，根据各种现代主义和后现代主义文化实践来评估该项目的概念，这些文化实践主要来自但不限于法语地区。这卷提供的概述承诺作出原创和发人深省的贡献，当代文学，艺术和文化批评。约翰尼·格拉顿是都柏林Trinity学院1776年法语讲座的保持器。他是《表现主义：普鲁斯特和巴特写作理论的受害者》（Legenda，2000年）的作者，并广泛撰写现代法国小说和自传。迈克尔·谢林汉姆是牛津大学福煦元帅法国文学教授。他在超现实主义、现代小说、诗歌、自传和相关体裁方面有着广泛的研究。他的出版物包括法国Autobiotrphy：设备和欲望（牛津大学出版社1993年）和巴黎的领域（艾德编，Raktion图书，1996年）。
The idea of the "project" crosses generic, disciplinary and cultural frontiers. At a time when writers and artists are increasingly describing their practices as "projects", remarkably little critical attention has been paid to the actual idea of the "project". This collection of essays responds to an urgent need by suggesting a framework for evaluating the notion of the project in the light of various modernist and postmodernist cultural practices, drawn mainly but not exclusively from the French-speaking domain. The overview offered by this volume promises to makes an original and thought-provoking contribution to contemporary literary, artistic and cultural criticism. Johnnie Gratton is the holder of the 1776 Chair of French at Trinity College Dublin. He is the author of Expressivism: The Vicissitudes of a Theory in the Writing of Proust and Barthes (Legenda, 2000), and has written widely on modern French fiction and autobiography. Michael Sheringham is Marshal Foch Professor of French Literature, University of Oxford. He has worked extensively on Surrealism, modern fiction, poetry, and autobiography and related genres. His publications include French Autobiotraphy: Devices and Desires (OUP 1993) and Parisian Fields (ed, Raktion Books, 1996).