Bruno Munari and the invention of modern graphic design in Italy, 1928-1945
Bruno Munari and the invention of modern graphic design in Italy, 1928-1945
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布鲁诺·穆纳里 (Bruno Munari) 与意大利现代平面设计的发明，1928 年至 1945 年
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发表时间：
2011
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通讯作者：
A. Colizzi
中科院分区：
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作者：
A. Colizzi
本研究探讨Bruno Munari在20世纪20年代末至40年代中期作为平面设计师的工作，旨在了解意大利平面设计现代主义潮流的出现和特点。在米兰，一种原始的“设计文化”融合了两种截然不同的现代性：以未来主义先锋派为代表的当地传统和与建构主义相关的欧洲传统。Munari（1907 - 1998）同时担任画家和广告设计师。集中在Munari的风格发展，研究旨在探讨未来主义的视觉词汇和概念之间的相互作用，从建筑，摄影，抽象绘画和功能主义排版，从中欧和北方欧洲涓涓细流。讨论将设计师定位在他的时间和地点，既关注艺术品，也关注更广泛的文化框架。其次，这项研究试图评估Munari的声誉对身体的示范性工作，根据第一手资料。这是第一个广泛的，详细的记录Munari的平面设计输出，并因此提供了一个坚实的基础，充分了解他的作品。
This study examines Bruno Munari’s work as a graphic designer from the late 1920s to mid-1940s, with the aim of understanding the emergence and characteristics of the modernist trend in Italian graphic design. Taking shape in Milan, an original ‘design culture’ eclectically brought together two quite different strains of Modernity: a local tradition represented by the Futurist avant-garde, and a European tradition associated with Constructivism. Munari (1907–1998) worked simultaneously as painter and as advertising designer. Concentrating on Munari’s stylistic development, the study seeks to explore the interaction between the Futurist visual vocabulary and conceptions coming from architecture, photography, abstract painting, and functionalist typography that trickled in from central and northern Europe. The discussion positions the designer in his time and place, concentrating as much on the artefacts as on the broader cultural framework. Secondly, the study attempts to assess Munari’s reputation against a body of exemplary work, based on firsthand documentation. It is the first extensive, detailed record of Munari’s graphic design output, and as such provides a substantial base for a full understanding of his œuvre.