‘Cine en Construcctón’/‘Films in Progress’: How Spanish and Latin American filmmakers negotiate the construction of a globalized art-house aesthetic
‘Cine en Construcctón’/‘Films in Progress’: How Spanish and Latin American filmmakers negotiate the construction of a globalized art-house aesthetic
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“Cine en Construction”/“Films in Progress”：西班牙和拉丁美洲电影制片人如何协商构建全球化艺术电影美学
DOI：
10.1386/trac.4.2.253_1
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发表时间：
2013
期刊：
影响因子：
--
通讯作者：
Tamara L. Falicov
中科院分区：
文献类型：
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作者：
Tamara L. Falicov
摘要“Cine en Construction ción”/“Films in Progress”是圣塞巴斯蒂安电影节(巴斯克的Donostia Zinemaldia)和图卢兹拉丁美洲电影节(Renconres Cinéma d‘Amérique Latine de Toulouse)的一项电影资助倡议，专门帮助拉丁美洲电影制片人完成他们的电影。它由这两个欧洲电影节联合举办，成立于2002年，是两个欧洲电影节首次联合支持需要后期制作资金的拉丁美洲电影制片人。这篇文章考察了评审团所选择的能够在全球市场上取得成功的电影类型。这种合作电影过程的跨国性质将从其优点方面进行审查，但也从其意想不到的后果方面进行审查，我将其称为“全球化的艺术电影美学”。
ABSTRACT ‘Cine en construcción’/‘Films in Progress’ is a film funding initiative at the San Sebastián Film Festival (or Donostia Zinemaldia in Basque), as well as the Toulouse Latin American Film Festival (Rencontres Cinémas d'Amérique Latine de Toulouse) that specifically assists Latin American film-makers towards completion of their films. Jointly organized by these two European film festivals, it was founded in 2002 and is the first time that two European film festivals have united to support Latin American film-makers in need of post-production finishing funds. This article examines the kinds of films that are selected by the jury which they envision to be viable enough to be successful in the global marketplace. The transnational nature of this collaborative film process will be examined in terms of its merits, but also in terms of its unintended consequences that I call the ‘globalized art-house film aesthetic’.