Nazis disguised as Jews and Israel's pursuit of justice: the Eichmann trial and the kapo trials in Robert Shaw's The Man in the Glass Booth and Emanuel Litvinoff's Falls the Shadow
Nazis disguised as Jews and Israel's pursuit of justice: the Eichmann trial and the kapo trials in Robert Shaw's The Man in the Glass Booth and Emanuel Litvinoff's Falls the Shadow
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伪装成犹太人的纳粹和以色列对正义的追求：罗伯特·肖的《玻璃亭里的人》和伊曼纽尔·利特维诺夫的《暗影降临》中的艾希曼审判和卡波审判
DOI：
10.1080/17504902.2018.1428783
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发表时间：
2018
影响因子：
--
通讯作者：
Bird S
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文献类型：
--
作者：
Bird S
这篇文章指出，伪装成犹太人的纳粹是小说中反复出现的人物，他破坏了犯罪者和受害者之间的界限。这种身份的模糊在20世纪50年代的艾希曼审判和以色列审判中尤其具有挑衅性。罗伯特·肖的《玻璃亭里的人》（1967）回应了艾希曼审判和阿伦特随后的分析，最终强化了纳粹的可怕形象。伊曼纽尔·利特维诺夫（Emanuel Litvinoff）的《阴影降临》（Falls the Shadow，1983）写于萨布拉和夏蒂拉大屠杀之后，反思了对犹太人的审判，对犹太人的罪责和以色列与正义的关系进行了复杂的探索。
The article identifies the Nazi disguised as a Jew as a recurring figure in fiction, who destabilizes boundaries between perpetrator and victim. This blurring of identity is particularly provocative in relation to the Eichmann trial and the Israelikapotrials of the 1950s. Robert Shaw’sThe Man in the Glass Booth(1967) responds to the Eichmann trial and Arendt’s subsequent analysis, ultimately reinforcing the image of the monstrous Nazi. Written following the Sabra and Shatila massacres, and reflecting on thekapotrials, Emanuel Litvinoff’sFalls the Shadow(1983) offers a complex exploration of Jewish culpability and Israel’s relationship to justice.