A rhythmanalysis of the (de)/(re)territorialisation of self in international migration

A rhythmanalysis of the (de)/(re)territorialisation of self in international migration
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国际移民中自我(去)/(重新)领土化的节奏分析

DOI:
10.1016/j.geoforum.2023.103790
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发表时间:
2023
期刊:
影响因子:
3.5
通讯作者:
Soaita A
Soaita A
中科院分区:
法学2区
文献类型:
--
作者:
Soaita A

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本文以在英国的罗马尼亚移民为例,反思了教育、工作、住房、家庭、地点、家庭和身体的交织节奏如何结合在一起,并促成了移民中自我的(去)/(再)属地化。虽然韵律分析在城市过程研究中获得了广泛的应用,但我接受了一个挑战,即探索它的潜力,以理解移民穿越、忽视、挣扎或与各种集合体一起工作的经历,从而重塑他们自己。为了追求我的目标,我采用了生命之河的视觉方法,这是一个人自己的迁徙轨迹的手绘,用于在采访中启发。我展示了结构排列、随机相遇和个人欲望如何产生特定的节奏结构(具有不同的模式、音调和频率、能量和强度),参与者在穿越文化、地点和经历时,沿着这些节奏进行工作,以(去)/(重新)划分他们不断变化的自我。无论移民是“成功”还是“失败”实现他们的愿望,他们的成为都会带来困惑,但也会对他们是谁,他们应该在哪里,以及是否有可能回到曾经的样子感到兴奋。
Drawing empirically on the case of Romanian migrants in the UK, this paper reflects on some of the ways in which the intertwined rhythms of education, work, housing, home, place, family and body combine and contribute to the(de)/(re)territorialisation of the self in migration. While rhythmanalysis gained currency in the study of urban processes, I take the challenge of exploring its potential for understanding migrants’ experiences of traversing, ignoring, struggling against or working with assemblages of all sorts and thereby reworking their selves. To pursue my goal, I engage with the visual method of the River of Life, a hand-drawing of one’s own migration trajectory, which is used for elicitation in interviews. I show how structural alignments, random encounters and personal desires produce specific rhythmical formations (of different patterns, pitch and frequency, energy and intensity) along which participants work relationally to(de)/(re)territorialise their changing selves as they travel through cultures, places and experiences. Whether migrants ‘succeed’ or ‘fail’ to achieve their desires, their becoming entails confusion but also excitement over who they are, where they should be and whether return to what once was is possible.
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