Dismantling the Frame: Site-Specific Art and Aesthetic Autonomy
Dismantling the Frame: Site-Specific Art and Aesthetic Autonomy
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拆除框架：特定场地的艺术和审美自主性
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发表时间：
2009
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通讯作者：
Jason Gaiger
中科院分区：
文献类型：
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作者：
Jason Gaiger
本文探讨了现代艺术概念的构成要素之一：审美自主性的想法的假设。我认为，最近的艺术实践的方向对什么来被称为“场地特异性”是最好的理解是逐步放弃的原则，审美自主性。我通过仔细分析Miwon Kwon的作品来发展这一立场。本文旨在作为一个案例研究，探讨历史和哲学的调查之间的问题关系。
This paper examines the assumptions underpinning one of the constitutive elements of the modern concept of art: the idea of aesthetic autonomy. I argue that the orientation of recent art practice towards what has come to be termed ‘site-specificity’ is best understood a progressive relinquishment of the principle of aesthetic autonomy. I develop this position through a close analysis of the work of Miwon Kwon. The paper is intended as a case-study that investigates the problematic relation between historical and philosophical enquiry.