Organised Sound, Mental Imageries and the Future of Music Technology: a neuroscience outlook*
Organised Sound, Mental Imageries and the Future of Music Technology: a neuroscience outlook*
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有组织的声音、心理意象和音乐技术的未来：神经科学展望*
作者：
E. Miranda
对于音乐家和音乐技术的开发者来说，能够更好地了解大脑如何处理音乐的前景是非常令人兴奋的。作曲家们肯定会欢迎能够更客观地预测特定音乐配置对观众的影响的可能性。此外，新的音乐技术必然会从这种理解中出现。尽管对音乐神经科学的研究令人印象深刻，但这一领域的进展在很大程度上仍然是音乐家和技术开发人员未知的：文献复杂且难以理清。本文试图为该杂志的读者描绘出这一领域。它阐明了一个工作假设的神经基础的心理意象引起的音乐，基于这样的概念，这种形象是副产品的内在抽象和预测的性质的大脑。有人认为，这种心理意象是音乐知觉的支架。该论文还推测了对音乐大脑的更好理解可能对未来电声音乐技术的发展产生的影响，其中可能包括开发新的分析工具，如橄榄图和丘脑图。
The prospect of being able to gain a better understanding of how the brain processes music is very exciting for musicians and developers of music technology. Composers would certainly welcome the possibility of being able to predict more objectively the effect of particular musical configurations on their audiences. Furthermore, new music technologies are bound to emerge from such understanding. Despite an impressive amount of ongoing research into the neuroscience of music, progress in this field still remains largely uncharted for musicians and unexplored by developers of technology: the literature is complex and difficult to disentangle. This paper is an attempt to chart the field for the readership of this journal. It articulates a working hypothesis for the neural basis of mental imageries elicited by music, based on the notion that such imageries are by-products of the inherent abstracting and predicting properties of the brain. It is argued that such mental imageries are scaffolds for music perception. The paper also speculates on the impact that a better understanding of the musical brain may have on the development of future technology for electroacoustic music, which may include the development of new analysis tools such as the olivogram and the thalamogram.
用于声音合成的音乐神经技术：使用尖峰神经元网络进行声音合成
影响因子：
0.3
作者：
Miranda Eduardo R.
通讯作者：
Miranda Eduardo R.