Background Noise: Perspectives on Sound Art
Background Noise: Perspectives on Sound Art
复制标题
背景噪音：声音艺术的视角
DOI：
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发表时间：
2006
期刊：
影响因子：
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通讯作者：
Brandon Labelle
中科院分区：
文献类型：
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作者：
Brandon Labelle
这是对声音艺术历史的一个引人入胜的概述。正如最近大量关于声音艺术的艺术展览所看到的那样，一个突出的听觉文化的兴起，以及致力于“听觉文化”的学术计划，声音艺术，以及现在出现的听觉问题，揭示了声音艺术在多大程度上为21世纪提供了定义。然而，声音艺术仍然缺乏相关文献来补充和扩展实践领域。《背景噪音》展示了一个历史的概述，同时根据声音艺术所揭示的内容塑造了这一历史--艺术通过复制和广播媒体在空间上运作的动态，以及与交流强度及其背景框架的关系。
This is a fascinating overview of the history of sound art. The rise of a prominent auditory culture, as seen in the recent plethora of art exhibitions on sound art, in conjunction with academic programs dedicated to "aural culture", sonic art, and auditory issues now emerging, reveals the degree to which sound art is lending definition to the 21st century. And yet, sound art still lacks related literature to compliment, and expand, the realm of practice. "Background Noise" sets out an historical overview, while at the same time shaping that history according to what sound art reveals - the dynamics of art to operate spatially, through media of reproduction and broadcast, and in relation to the intensities of communication and its contextual framework.