Sonic Cyberfeminisms: Introduction
Sonic Cyberfeminisms: Introduction
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索尼克网络女权主义：简介
DOI：
10.1177/0141778920967624
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发表时间：
2021
期刊：
影响因子：
1.8
通讯作者：
Marie Thompson
中科院分区：
文献类型：
--
作者：
Annie Goh;Marie Thompson
自2010年代中期以来，人们对声音、性别和技术之间的关系产生了浓厚的兴趣。在当代艺术、音乐、教育和音频技术领域进行的辩论指出，在这些领域仍然缺乏妇女和非二元人群的代表。特别是在与电子音乐和声音艺术有关的技术中心领域，男性主义和异性恋的偏见加剧了对女权主义变革或改革议程的敌意。各种网络、会议、教育方案和网上运动等形式的倡议都试图解决这个问题。
Since the mid-2010s, there has been a surge of interest in the relations between sound, gender and technology. Debates taking place in contemporary arts, music, education and audio technology have pointed to the continued lack of women and non-binary people represented in these fields. Particularly in the technocentric fields relating to electronic-based musics and sound arts, a masculinist and heteronormative bias has compounded an often under-acknowledged hostility to feminist agendas of change or reform. Various initiatives, in the form of networks, conferences, educational programmes and online campaigns, have sought to redress this.1
先锋精神：电子音乐史上女性的新媒体表现
影响因子：
0.6
作者：
Morgan F
通讯作者：
Morgan F