Monumental Architecture
Monumental Architecture
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纪念性建筑
DOI：
10.1007/978-3-030-58292-0_130719
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发表时间：
2021
影响因子：
1.2
通讯作者：
M. Venit
中科院分区：
文献类型：
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作者：
M. Venit
关于贝伦斯的公司工作的促进作用。安德森没有为AEG设计海报，也没有详述他的一些最纯粹的建筑形式的广告功能，比如德尔曼霍斯特油毡工厂的展馆。然而，在目录中隐藏着一张类似委托的夜间照明的壮观照片。同样，安德森也没有提到贝伦斯与表现主义调情的重要性。在奥伯豪森的Gutehofnungshiitte仓库（Anderson已经将其归入目录）和Hochst的行政大楼中，我们不应该感到惊讶，这是20世纪20年代早期德国最重要的两座建筑。然而，以这样的方式结束是不公平的。在整本书中，安德森不仅对贝伦斯，而且对20世纪的建筑都采取了深刻的方法。他为我们准备了许多崇拜者对这两者的学术研究
tle about the promotional role of Behrens's corporate work. Anderson does not illustrate his posters for the AEG or dwell on the advertising function of some of his purest architectural forms, such as the pavilion for the Delmenhorster linoleum factory. Buried in the catalogue, however, is a spectacular photograph of the night lighting of a similar commission. Anderson similarly does not address the importance of Behrens's flirtation with Expressionism. We should not be surprised that this advocate of crystalline form would produce in the Gutehofnungshiitte warehouse in Oberhausen (which Anderson has relegated to the catalogue) and the administration building for Hochst, two of the most important German buildings of the early 1920s. To end on such a note, however, would be less than fair. Throughout the book, Anderson takes a profound approach not only to Behrens, but to architecture of the twentieth century in general. He prepares us for the scholarly work of numerous admirers on both