Thick photography
Thick photography
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发表时间：
2016
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通讯作者：
Jennifer Deger
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作者：
Jennifer Deger
在偏远的澳大利亚原住民地区，手机和平板电脑摄影技术正在催生充满活力的新视觉文化形式。绿屏软件、蒙太奇和. gif效果使分层图像的创建具有意义和影响。类似于树皮画-但故意不同-这些图像揭示了尤恩古世界的光谱深度。在阿纳姆地的家庭面临无情的损失和社会压力的时候，制作，分享和观看精心制作的家庭照片重申，重建和重建一个充满活力，共鸣和祖先意义的世界。通过刻意摆出的姿势和经常高度后期制作的摄影，Yolngu可以创造性地参与一个深刻的通感和感知世界，一个被神秘的相遇所激活的世界，一个需要通过意象实践不断肯定和更新关系的世界。这是一个感官力量和内在意义的世界，一个远远超出眼睛所能看到的、相机所能捕捉到的、或者人类学家所能知道的范围的世界。
Across remote Aboriginal Australia, phone and tablet photographic technologies are giving rise to vibrant new forms of visual culture. Greenscreen software, montage and .gif effects enable the creation of layered images that literally pulse with meaning and affect. Akin to bark painting – yet deliberately different – such images reveal the spectral depth of Yolngu worlds. At a time when families across Arnhem Land face relentless loss and social stress, the making, sharing and viewing of elaborated family photographs reaffirm, reconstitute, and thicken a world of vitality, resonance and ancestral significance. Through deliberately posed and often highly postproduced photography Yolngu can creatively participate in a profoundly synaesthetic and sentient world, a world enlivened by uncanny encounter, a world that requires the ongoing affirmation and renewal of relationships through imagistic practice. This is a world of sensuous force and inside meanings, a world that far exceeds the registers of what the eye can see, the camera can capture, or, indeed, what the anthropologist will ever know.