Interpretation of the History and Life of the Chinese People in the Works of Russian Emigrant Artists of the 1920s–1930s
Interpretation of the History and Life of the Chinese People in the Works of Russian Emigrant Artists of the 1920s–1930s
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20-1930年代俄罗斯移民艺术家作品解读中国人民的历史和生活
DOI：
10.7256/2454-0757.2022.10.38978
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发表时间：
2022
期刊：
影响因子：
--
通讯作者：
Jian Yang
中科院分区：
文献类型：
--
作者：
Jian Yang
俄罗斯和中国的艺术史在XX世纪紧密交织在一起，这要归功于发现自己流亡的俄罗斯艺术家的创作和教学活动。哈尔滨和上海在20世纪20年代至30年代成为主要的艺术中心，这在很大程度上要归功于他们。这一时期的特点是在国家艺术和文化方面取得了丰硕的成果，但同时也出现了政治动荡。这项研究的问题是确定移民大师对中国人人的生活--中国所处的氛围--事件的感知和解释的特殊性。因此，研究的对象是特定时期最大的移民艺术家的绘画和图形，客体是当年中国在他们的作品中所传达的形象，以及实现这一理念的手段。本文的主要目的是确定俄罗斯移民艺术家在创作当代中国形象时所涉及的主题和主题的范围，以及他们的艺术体现的具体细节。通过对俄罗斯艺术批评中这一问题的史学分析，以及对M.A.Kichigin及其女儿V.S.Podgursky、Ya.L.Likhonos、V.A.Asypkin等著名流亡艺术知识分子的创作作品的分析，实现了这一点。对他们作品的主题部分的研究表明，大师们被普通人生活中的事件以及中国城市居民的心理肖像所吸引。在艺术上，艺术家们仍然致力于俄罗斯学派，但允许中国画的表现特征的影响。
The history of art in Russia and China is closely intertwined in the XX century, including thanks to the creative and pedagogical activities of Russian artists who found themselves in exile. Largely thanks to them, Harbin and Shanghai became major art centers in the 1920s–1930s. This period is characterized by fruitful processes in the country's art and culture, but also political upheavals at the same time. The problem of the study is to determine the peculiarities of the perception and interpretation by the emigrant masters of events from the life of the Chinese people, the atmosphere that prevailed in China. Thus, the subject of the study is the paintings and graphics of the largest emigrant artists of the specified period, and the object is the images of China of those years, conveyed in their works, and the means of implementing the idea. The main purpose of this article is to determine the range of themes and subjects that Russian emigrant artists addressed when creating images of contemporary China, as well as the specifics of their artistic embodiment. It is achieved by analyzing the historiography of this issue in Russian art criticism, as well as analyzing the creative works of such prominent representatives of the artistic intelligentsia in exile as M.A. Kichigin and his daughters, V.S. Podgursky, Ya.L. Likhonos, V.A. Asypkin. The study of the thematic component of their works shows that the masters were attracted by events from the life of ordinary people, as well as psychological portraits of residents of Chinese cities. Artistically, the artists remained committed to the Russian school, but allowed the influence of expressive features of Chinese painting.