The Religion of Englishness: Puritanism, Providentialism, and “National Character,” 1918–1945
The Religion of Englishness: Puritanism, Providentialism, and “National Character,” 1918–1945
复制标题
英国性的宗教：清教主义、天意主义和“民族性格”，1918-1945
DOI：
--
复制
发表时间：
2007
期刊：
影响因子：
--
通讯作者：
M. Grimley
中科院分区：
文献类型：
--
作者：
M. Grimley
在迈克尔·鲍威尔（Michael Powell）和埃默里克·普莱斯伯格（Emeric Pressburger）的《坎特伯雷故事》（A Canterbury Tale，1944）中，坎特伯雷大教堂的塔楼矗立在闪电战的城市中，提供了一个反复出现的主题。电影的高潮和情节的解决发生在大教堂及其周围，主角经历了一系列奇迹般的干预，随后是一排士兵在离开法国之前唱着“前进，基督教士兵”的结束场景。索尔兹伯里大教堂是弗兰克·纽博尔德（Frank Newbould）的一张“你的英国--现在就为之奋斗”海报的主题，也是劳伦斯·惠斯勒（Lawrence Whistler）的彩色玻璃窗的主题，该玻璃窗描绘了多塞特郡莫尔顿的一架战斗机。这种对教堂的描绘不仅仅是“英格兰深处”的田园风格。城市场景也被描绘出来，特别是在约翰·派珀的考文垂、巴斯、布里斯托和伦敦受损教堂的照片中。最著名的是，她-
In Michael Powell’s and Emeric Pressburger’s A Canterbury Tale (1944), the towers of Canterbury Cathedral standing amid a blitzed city provided a recurrent motif. The film’s culmination—and the plot’s resolution—occurred in and around the cathedral, with the protagonists experiencing a series of miraculous interventions, followed by the closing scene of a platoon of soldiers singing “Onward, Christian Soldiers” before departing to France. Salisbury Cathedral was the subject of one of Frank Newbould’s “Your Britain—Fight for It Now” posters, as well as featuring in Lawrence Whistler’s stained-glass window depicting a fighter airplane at Moreton in Dorset. This depiction of churches was not just “deep England” bucolicism. Urban scenes were also portrayed, notably in John Piper’s pictures of damaged churches in Coventry, Bath, Bristol, and London. Most famously, Her-