The Japan Fad in Global Youth Culture and Millennial Capitalism
The Japan Fad in Global Youth Culture and Millennial Capitalism
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全球青年文化中的日本风潮与千禧年资本主义
DOI:
10.1353/mec.0.0048
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发表时间:
2010
期刊:
影响因子:
--
通讯作者:
A. Allison
中科院分区:
文献类型:
--
作者:
A. Allison
a tale about modern-day angst and cultural dislocation. As shot by the fi lm’s director, Sofi a Coppola, the screen fi lls with scene after scene of a searingly beautiful Tokyo: neon-lit Shinjuku, a pristine sushi bar, the quietude of a temple, a nightclub’s jagged excesses. All of this is fi ltered through the perspective of two American travelers who are as lost in this foreign culture as they are in their personal lives back home. Strangers when they fi rst meet, the two connect over shared insomnia and malaise. Both are reluctant visitors to a country that neither one is interested in; both fi nd Japan utterly strange. Yet the strangeness inspires not only gaff es and gaps in cultural (mis)communication but also intimacy between the two. By the time they part, Japan has acquired a new attractiveness and meaning for them. Yet neither character exhibits greater knowledge or understanding of the country: they are as clueless as when they fi rst checked into their hotel. Indeed, the fi lm’s audience shares the same position, as strangers “lost” in a culture that, while quirkily and sensuously beautiful, is foreign and outside “translation.” In 2004 ABC aired an episode of the long-running children’s television show, Mighty Morphin’ Power Rangers, with a story that referenced Coppola’s The Japan Fad in Global Youth Culture and Millennial Capitalism A N N E A L L I S O N