Art Education in Uzbekistan
Art Education in Uzbekistan
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乌兹别克斯坦的艺术教育
DOI：
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发表时间：
2008
期刊：
影响因子：
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通讯作者：
A. Khakimov
中科院分区：
文献类型：
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作者：
A. Khakimov
前伊斯兰时期的艺术以壁画、绘画和各种工艺品为代表。其中最明亮的样品是在古代和古董时期（第二至第八世纪）创建的。有美丽的壁画和雕塑以及其他工艺品。这一时期的艺术反映了古伊朗，印度教佛教，希腊和当地中亚文化和宗教传统的影响。古希腊的神话和宗教人物以及琐罗亚斯德教和佛教神灵与当地的邪教形象相互作用，所有这些都为中亚古董艺术增添了特殊的独创性。本地艺术对外来影响的敏感和容忍，与其在整个发展时期保持其个性和独特性的能力相结合。中亚的艺术在伊斯兰时期并没有失去这种能力，当时对活体图像的禁止导致了整个穆斯林世界新的装饰艺术的发展。尽管伊斯兰世界的艺术具有共性，但中亚装饰艺术的风格保持了其独特性。虽然壁画和雕塑在穆斯林时期逐渐消失，但建筑，工艺品和微缩模型变得非常受欢迎。一个发达的教育体系导致了微型绘画在东方的蓬勃发展。据了解，在撒马尔罕的Temurid总督的院子里，
The art of the pre-Islamic period is represented by wall sculpture, painting and different kinds of crafts. The brightest samples of these were created during the Ancient and Antique periods (second to eighth century). There were beautiful pieces of wall painting and sculpture as well as other crafts. The art of that period reflects the influence of ancient-Iranian, Hindu Buddhist, Hellenistic and local Central-Asian cultural and religious traditions. The mythological and religious characters of ancient Greece and Zoroastrian and Buddhist deities interacted with local cult images and all of these added a special originality to the art of Antique Central Asia. This susceptibility and tolerance of local art to external influences was combined with its ability to retain its individuality and uniqueness during the whole period of development. The art of Central Asia did not lose this ability during the Islamic period, when the interdiction on images of living subjects led to the development of new ornamental art throughout the entire Muslim world. In spite of the commonality of art in the Islamic world, the style of Central Asian ornamental art maintained its uniqueness. Although wall painting and sculpture gradually disappeared during the Muslim period, architecture, crafts and miniatures became very popular. A well-developed educational system led to the blossoming of miniature painting in the East. It is known that at the courtyard of Temurid’s governors in Samarqand