History in the making: martial arts between Planet Hollywood and Planet Hong Kong (Review article)
History in the making: martial arts between Planet Hollywood and Planet Hong Kong (Review article)
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正在形成的历史：好莱坞星球和香港星球之间的武术（评论文章）
DOI：
10.18573/j.2015.10020
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发表时间：
2015
期刊：
影响因子：
--
通讯作者：
Kyle Barrowman
中科院分区：
文献类型：
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作者：
Kyle Barrowman
在几乎所有现存的武侠电影学术研究中，在这样一个表面上广阔的电影领域（时间和文化）的调用中所表明的是1960年代至1980年代香港的特定而狭窄的武侠电影。学术界忽视、摒弃或注销了许多线索，这些线索聚集在一起，形成了被称为武术电影的独特电影拼凑;更有问题的是，他们太容易将美国线索视为好莱坞电影制片人的准种族主义东方主义机会主义。针对这一深刻的问题的观点，本文回顾了最近的两个重要贡献，美国武术电影奖学金，以突出以前的工作中的问题，并创造一个新的位置，从更好地理解和欣赏美国武术的继承空间。
In virtually all existing scholarship on martial arts cinema, what is indicated in the invocation of such an ostensibly vast cinematic realm (temporally and culturally) is the specific and narrow martial arts cinema of Hong Kong from the 1960s to the 1980s. Scholarship has ignored, dismissed or written off many of the threads which have come together to form the unique cinematic patchwork known as martial arts cinema; even more problematically, they have all-too-easily dismissed the American thread as quasi-racist orientalist opportunism on the part of Hollywood filmmakers. Against this deeply problematic view, this essay reviews two important recent contributions to American martial arts cinema scholarship in order to highlight problems in previous work and to create space for a new position from which to better understand and appreciate the American inheritance of the martial arts.