Cosmopolitan canvases: the globalization of markets for contemporary art

Cosmopolitan canvases: the globalization of markets for contemporary art
复制标题

国际化的画布:当代艺术市场的全球化

DOI:
10.1093/acprof:oso/9780198717744.001.0001
复制
发表时间:
2015
期刊:
--
影响因子:
--
通讯作者:
Olga Kanzaki
Olga Kanzaki
中科院分区:
--
文献类型:
--
作者:
O. Velthuis;Filip Vermeylen;S. B. Curioni;Laura Forti;Mukti Khaire;Alain Quemin;Femke van Hest;Tamar Yogev;G. Ertug;Olga Kanzaki

文献摘要

被引文献

相似文献

本书汇集了当代艺术市场全球化的最新、多学科、前沿的研究成果。本书的章节以中国、俄罗斯、印度和日本等不同地区为重点,研究艺术市场全球化的程度。一方面,它关注艺术博览会、互联网平台和拍卖行等组织,这些组织使当代艺术在全球范围内流动。它展示了来自中东等地的艺术如何转变为一种新的资产类别。另一方面,这些章节强调了全球化在艺术市场遇到的多重障碍。虽然当代艺术品市场确实已经在地球仪各地出现,但艺术品的跨境流动仍然相对微不足道。这些障碍背后的原因进行了探讨。这些因素包括地球仪品味的差异,印度和巴西等国的贸易壁垒,以及日本等当地艺术界演员的既得利益。这本书认识到当代艺术交流的各种生态共存,并勾勒出艺术市场内有弹性的地方演员和组织网络的存在。此外,有些章节认为,欧洲和美国继续主导全球市场,特别是在考虑到成功和参与最负盛名的商业活动,如巴塞尔艺术节的排名。
This book brings together recent, multidisciplinary, cutting edge research on the globalization of markets for contemporary art. Focusing on different regions including China, Russia, India, and Japan, the chapters in this book study the extent to which art markets have indeed become global. On the one hand, it focuses on organizations such as the art fairs, Internet platforms, and auction houses which have enabled global flows of contemporary art. It shows how art from places such as the Middle East has been transformed into a new asset class. On the other hand, the chapters highlight the multiple barriers which globalization has encountered in art markets. Although markets for contemporary art have indeed emerged across the globe, cross-border flows of works of art have remained comparatively insignificant. The reasons behind these barriers are explored. They include differences in taste across the globe, trade barriers in countries like India and Brazil, and vested interests of actors in local art worlds like Japan. This book recognizes the coexistence of various ecologies of contemporary art exchange and sketches the presence of resilient local networks of actors and organizations within art markets. Some chapters moreover argue that Europe and the United States continue to dominate the global market, especially when considering rankings of success and participation in the most prestigious commercial events such as Art Basel.