Creative thought in Artists
Creative thought in Artists
复制标题
艺术家的创造性思维
DOI：
10.1080/00223980.1937.9917525
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发表时间：
1937
期刊：
影响因子：
--
通讯作者：
C. Patrick
中科院分区：
文献类型：
--
作者：
C. Patrick
问题是要尽可能直接地研究素描中的创造性思维过程，艺术家同意在实验条件下画素描，为了比较的目的，非艺术家也在相同的条件下完成了绘画任务。在灵感出现的时候，这个想法突然出现在艺术家或发明家的脑海中，而不是他在寻找它。它常常是一个闪光，一个新的想法，没有任何明显的理由，来自或多或少潜意识的氛围。它不是通过注意力的力量表现出来的。作曲家经常在狂热的状态下工作，以至于手跟不上思想。这个新想法不是来自偶然，而是从联想和知识中发展出来的。艺术作品在灵感产生的时候是不完整的，但必须有修改和批评。
The problem is to study as directly as possible the process of creative thought in sketching pictures, Artists have consented to sketch pictures under experimental conditions, and for purposes of comparison non-artists have also performed the task of drawing under the same conditions.Galli (3) obtained reports from various artists and writers concerning their general methods of working. At the time of inspiration the idea appears suddenly in the mind of the artist or inventor, without his seeking it. Often it comes as a brilliant flash, a new idea, without any evident reason, from an atmosphere more or less subconscious. It does not appear through the power of attention. The composer often works in such a feverish state that the hand cannot keep up with the thought. The new idea does not come from chance, but is developed from associations and knowledge. T he work of art is not complete at the time of inspiration, but there must he revision and criticism.