Three factors for contextmapping in East Asia: Trust, control and nunchi
Three factors for contextmapping in East Asia: Trust, control and nunchi
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东亚环境映射的三个因素：信任、控制和努奇
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发表时间：
2006
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影响因子：
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通讯作者：
Kun
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文献类型：
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作者：
Helma van Rijn;Yoon Bahk;P. Stappers;Kun
背景映射技术已经为西方文化的参与者进行了尝试和调整，并且众所周知可以在设计的概念阶段提供灵感。由于这些技术在很大程度上依赖于在公共场合表达感受和小组讨论等活动，因此它们不太适合来自更“保守”文化的参与者，例如文化。东亚。在这个项目中，我们调整了用于东亚参与者的技术。我们的研究结果表明，如果以适当的形式进行，情境映射技术可以在东亚发挥作用。然而，与西方相比，更需要一个界限分明的剧本。我们所说的“脚本”是指一种构建参与者和研究者角色的结构，并提供一个清晰的舞台，参与者在其中扮演“经验专家”的角色，而在这个舞台之外，他/她可以摆脱表达自己的负担。脚本在东亚的重要性促使我们回顾脚本和舞台作为一般技术的设计参数的价值。
Contextmapping techniques have been tried and tuned for participants in Western cultures and are known to provide inspiration in the conceptual phase of design. Because these techniques rely heavily on activities such as expressing feelings in public and discussing in groups, they are less attuned to participants from more ‘reserved’ cultures, e.g. East Asia. In this project we adapted the techniques for use with East Asian participants. Our findings indicate that, when conducted in appropriate forms, contextmapping techniques can work in East Asia. However, more than in the West, a well-demarcated script is needed. By ‘script’ we mean a construct that frames the roles of the participants and the researcher, and provides a clear stage on which the participant plays the role of ‘expert of his experience’ and outside of which he/she is free from the burden of expressing him- or herself. The importance of a script in East Asia led us to review the value of scripting and staging as design parameter for the techniques in general.