MEMORY AND MUSICAL EXPECTATION FOR TONES IN CULTURAL CONTEXT
MEMORY AND MUSICAL EXPECTATION FOR TONES IN CULTURAL CONTEXT
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DOI：
10.1525/mp.2009.26.4.365
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发表时间：
2009-04-01
期刊：
影响因子：
2.3
通讯作者：
Bharucha, Jamshed J.
中科院分区：
文献类型：
--
作者：
Curtis, Meagan E.;Bharucha, Jamshed J.
我们探索了音乐文化如何塑造一个人的听力体验。西方参与者听到了一系列来自西方主要模式(文化上熟悉的)或印度的Thaat Bhairav(文化上不熟悉)的音调，然后听到了测试音调。他们对测试音调是否出现在之前的音调系列中做出了快速判断。语气(西部或印度)和测试声调类型(一致或不一致)之间的交互作用反映了西方情态知识的使用来对测试声调做出判断。与主要模式一致的测试音的虚警率高于与Bhairav一致的测试音。相反，与主要模式不一致的测试音调的错误警报率低于与Bhairav不一致的测试音调。这些发现表明，当一个人听着不熟悉的调式系统的音乐时，内化的文化知识可能会驱动人们对音乐的期望。
WE EXPLORED HOW MUSICAL CULTURE SHAPES ONE'S listening experience. Western participants heard a series of tones drawn from either the Western major mode (culturally familiar) or the Indian thaat Bhairav (culturally unfamiliar) and then heard a test tone. They made a speeded judgment about whether the test tone was present in the prior series of tones. Interactions between mode (Western or Indian) and test tone type (congruous or incongruous) reflect the utilization of Western modal knowledge to make judgments about the test tones. False alarm rates were higher for test tones congruent with the major mode than for test tones congruent with Bhairav. In contrast, false alarm rates were lower for test tones incongruent with the major mode than for test tones incongruent with Bhairav. These findings suggest that one's internalized cultural knowledge may drive musical expectancies when listening to music of an unfamiliar modal system.