MAQAM IN MUSIC AS A CONCEPT, SCALE AND PHENOMENON
MAQAM IN MUSIC AS A CONCEPT, SCALE AND PHENOMENON
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音乐中的木卡姆作为一种概念、音阶和现象
DOI：
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发表时间：
2012
期刊：
影响因子：
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通讯作者：
Seyit Yöre
中科院分区：
文献类型：
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作者：
Seyit Yöre
木卡姆是近东、中东和安纳托利亚传统音乐的旋律素材，是世界音乐模式之一。几个世纪以来，关于木卡姆-S和木卡姆音乐的理论研究一直很多。虽然直到20世纪的手稿研究都是根据音乐作品中的表现来考察木卡姆-S，但20世纪的手稿研究是按照西方音乐理论对其进行评价和分类的。然而，在这些研究中，表演与木卡姆理论之间存在着混淆和困境。因此，本文在系统音乐学的框架下，对木卡姆作为一种概念、尺度和现象的特征进行了考察和探讨。
Maqam is a melodic material of the Near East, Middle East and Anatolian traditional musics as one of the musical modes in the World. There have been many theoretical studies on maqam-s and maqam music for centuries. Although the manuscript studies until the 20th century examined the maqam-s according to performance in musical works, the studies in the 20th century evaluated and classified them according to Western music theory. However, there is confusion and dilemma between performance and the theory of maqam in these studies. Therefore, this article examined and discussed the features of maqam as a concept, scale and phenomenon within the framework of systematic musicology.