Film and culture.
Film and culture.
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DOI：
10.1111/1468-5922.12134
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发表时间：
2015-02
期刊：
影响因子：
--
通讯作者：
S. Hyde
中科院分区：
文献类型：
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作者：
S. Hyde
欢迎来到《分析心理学杂志》的这个新栏目，感谢海伦娜·巴希尔·莫罗佐的开篇文章。我们希望，这一令人兴奋的尝试将为《日刊》增添新的创意。其目的是临床医生和学者都将贡献文章，并将有空间进行强有力的讨论和批判性辩论。该部分的目的是反映当前的兴趣，特别是在荣格圈子，在电影的力量和有用性，看到他们潜在的积极想象力的形式代表我们这个时代的关注和主题。在本世纪初出版的《荣格与电影》一书的导言中，豪克和阿利斯特将电影宣传为"一种见证心灵的手段和空间--几乎是字面上的投射“（2001年，第2页）。他们继续建议，电影可以创造一个“想象空间”，在那里心灵可以活起来。虽然这一部分将不会有豪华的空间，是在荣格和电影，这本书，沿着其续集，提供了一个有益的模式，为这一部分的愿景。它们包括临床和学术论文，并寻求形成荣格研究和临床实践之间的桥梁。书中探讨的一些开创性电影包括《银翼杀手》、《低俗小说》、《暮光之城佐贺》和《钢琴》，仅举几例。这些书籍和其他出版物所涵盖的电影范围之广，例如，约翰·毕比和弗吉尼亚·阿普森的《女性在电影中的存在》（2008年）和泰瑞·沃德尔的《狂野/生活：银幕上的骗子、场所和极限》（2010年），突出了有待耕种的肥沃土壤。虽然这一部分将主要集中在电影，后来扩大到涵盖更广泛的文化活动，它觉得重要的是要允许空间和承认一些高质量的开创性卫星/有线电视连续剧。例如，由Vince Gilligan创作和制作的屡获殊荣的Breaking Bad通过吸毒成瘾，家庭/团体动态和绝症进行了一次当代和强大的旅程。反映现代的挑战和斗争是痛苦的唤起，毫无疑问，这有助于它获得了在吉尼斯世界纪录的地方，作为最高收视率的电视节目的所有时间。
Welcome to this new section of the Journal of Analytical Psychology and thanks to Helena Bassil-Morozow for her opening article. We hope that this exciting venture will provide a creative and fresh addition to the Journal. The aim is that both clinicians and academics will contribute articles, and that there will be space for robust discussion and critical debate. The section will aim to reflect the current interest–particularly in Jungian circles–in the power and usefulness of films, seeing them potentially as a form of Active Imagination representing the concerns and themes of our time. Speaking in the introduction of a book published early this century, Jung and Film, Hauke and Alister promote cinema as offering, ‘both a means and a space to witness the psyche–almost literally in projection’ (2001, p. 2). They go on to suggest that films can create an ‘imaginal space’ where psyche can come alive. Whilst this section will not have the luxury of space that is afforded in Jung and Film, the book, along with its sequel, provide a helpful model for the vision for this section. They include essays—both clinical and academic—and seek to form a bridge between Jungian studies and clinical practice. Some examples of the seminal films that are explored in the books include Blade Runner, Pulp Fiction, The Twilight Saga and The Piano–to name but a few. The breadth of films covered in these books and other publications, for example, John Beebe and Virginia Apperson’s The Presence of the Feminine in Film (2008) and Terrie Waddel’s Wild/Lives: Trickster, Place and Liminality on Screen (2010), highlight the rich and fertile ground there is to be tilled. Although this section will primarily focus on film and later expand to cover broader cultural events, it feels important to allow space and acknowledgement for some of the high quality groundbreaking satellite/cable TV drama series. For example, the multi-award winning Breaking Bad, created and produced by Vince Gilligan, takes a contemporary and powerful journey through drug addiction, family/group dynamics and terminal illness. The mirroring of modern challenges and struggles is painfully evocative and no doubt this has contributed to it gaining a place in the Guinness Book of Records as the highest rated TV show of all times.