The prosodic structure and pitch accent of Northern Kyungsang Korean
The prosodic structure and pitch accent of Northern Kyungsang Korean
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庆尚北道朝鲜语的韵律结构和音调重音
DOI：
10.1007/s10831-006-9000-2
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发表时间：
2006
影响因子：
0.5
通讯作者：
Sun
中科院分区：
文献类型：
--
作者：
Jongho Jun;J. Kim;Hayoung Lee;Sun
本研究通过检查不同声调/韵律背景下的声调-音节对齐和声调重音的实现，研究了庆尚北道韩语 (NKK) 的声调重音的基本声调模式、声调相互作用、焦点效应和韵律结构。基于定量数据，我们提出音高重音的基础声调为 H*+L，并且韵律词的左边缘由低边界声调 (L) 标记。我们对不同词汇类别的声调相互作用的观察显示了支持下/上语解释的证据 [Kenstowicz & Sohn (1997) 庆尚北道韩语的焦点和措辞。下午至下午。 Bertinetto（主编），Certamen PhonologicumIII，（第 137 - 156 页）。都灵：罗森博格和塞利尔。 （也在麻省理工学院语言学工作论文中，30, 25 - 47, 1997）]，与 H 音删除说明相反（例如，G. Kim (1988)The Pitch-accent System of the Taegu Dialect of Korean with Emphasis on Tone Sandhi at the Phrasal Level, Ph.D dissertation, University of Hawaii.）。数据还表明，NKK 的表面表征对于色调的指定是稀疏的。最重要的是，我们发现焦点的韵律提示根据韵律词中音高重音的位置而有所不同。我们得出结论，NKK中焦点的韵律目标在于焦点短语的音高范围扩展，这是通过扩展短语中最突出的单词的音高范围来实现的，无论它是否是焦点单词。
This study investigates the underlying tonal pattern of pitch accent, tone interaction, focus effects, and the prosodic structure of Northern Kyungsang Korean (NKK) by examining tone-syllable alignment and the realization of pitch accent in different tonal/prosodic contexts. Based on quantitative data, we propose that the underlying tone of pitch accent is H*+L and that the left edge of a prosodic word is marked by a low boundary tone (L). Our observation, with respect to the tone interaction of different lexical classes, shows evidence in favor of the downstep/ upstep account [Kenstowicz & Sohn (1997) Focus and phrasing in Northern Kyungsang Korean. In P.-M. Bertinetto (Ed.),Certamen PhonologicumIII, (pp. 137 -- 156). Torino: Rosenberg and Sellier. (Also inMIT Working Papers in Linguistics, 30, 25 -- 47, 1997)], as opposed to the H-tone deletion account (e.g., G. Kim (1988)The Pitch-accent System of the Taegu Dialect of Korean with Emphasis on Tone Sandhi at the Phrasal Level, PhD dissertation, University of Hawaii.). The data also indicate that surface representations of NKK are sparsely specified for tone. Most importantly, we found that the prosodic cue of focus differs depending on the location of the pitch accent within a prosodic word. We conclude that the prosodic goal of focus in NKK is in the pitch range expansion of thefocused phrase, which is implemented by expanding the pitch range of the most prominent word within the phrase, regardless of whether it is the focused word or not.