Chick Flicks: Contemporary Women at the Movies
Chick Flicks: Contemporary Women at the Movies
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小妞电影：电影中的当代女性
DOI：
10.1111/j.1540-5931.2008.00554_13.x
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发表时间：
2008
期刊：
影响因子：
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通讯作者：
Colette Marie O'Bannion
中科院分区：
文献类型：
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作者：
Colette Marie O'Bannion
在介绍小鸡flicks：当代妇女在电影，编辑苏珊娜费里斯和马洛里杨熟悉读者的基本要素小鸡电影。诺瓦东南大学的英语教授费里斯和州立大学塔尔顿的英语和法语教授扬将言情片广义地定义为吸引女性观众的商业电影。这种特殊的电影类型，虽然自20世纪90年代中期以来只订阅了言情片的绰号，但归因于过去20年中女性文化繁荣成为主流。本书收录了12篇文章，涵盖了可供电影观众观看的各种各样的言情片，在这种情况下，主要是当代女性。这些文章
In the introduction to Chick Flicks: Contemporary Women at the Movies, editors Suzanne Ferriss and Mallory Young acquaint the reader with the fundamental elements of chick flicks. Ferriss, a professor of English at Nova Southeastern University, and Young, a professor of English and French at Tarleton State University, broadly define chick flicks as commercial films that appeal to a female audience. This particular film genre, although only subscribing to the chick flick moniker since the mid-1990s, is attributed to the chick culture boom that exploded into the mainstream in the past twenty years. Included in this volume are twelve essays covering the wide spectrum of chick flicks available for viewing by the movie-going public, in this case, primarily contemporary women. The essays