Curating contemporary art in the framework of the planetary commons
Curating contemporary art in the framework of the planetary commons
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在地球公域的框架内策划当代艺术
DOI：
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发表时间：
2017
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通讯作者：
Nicola Triscott
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作者：
Nicola Triscott
摘要在不断扩大的当代艺术领域中，面对不断加速的环境危机和不断扩大的社会不平等，参与生态政治的紧迫感日益增强。近年来，许多当代艺术对社会生态问题的回应都被人类世的概念所框定。然而，人类世的概念因其有限的政治机构和方向而受到批评，这表明需要替代性的解释框架。本文提出了行星公域的概念，作为策划生态和地缘政治领域艺术主导项目的战术和解释框架。它讨论了我的策展兴趣和在几个跨学科的艺术项目中的作用，这些项目与极地和外层空间有关。它概述了艺术策略，包括批评，调查，代表和社会政治干预，以及项目如何解决空间政治，环境管理和地方全球治理结构的问题。我认为，这个框架提供的视角，使有意义的知识跨越不同学科，揭示了在全球系统中的治理的复杂性的见解，突出的作用，艺术和文化的做法，可以在塑造我们的理解复杂的社会，环境，技术组合。
Abstract Within the expanded field of contemporary art, there is an increasing sense of urgency to engage with the politics of ecology in the face of accelerating environmental crises and widening social inequality. In recent years, much of contemporary art’s response to socioecological issues has been framed by the concept of the Anthropocene. However, the notion of the Anthropocene has been criticised for its limited political agency and direction, indicating that there is a need for alternative interpretative frameworks. This paper proposes the notion of the planetary commons as a tactical and interpretative framework for curating art-led projects in the realm of eco- and geopolitical concerns. It discusses my curatorial interests and role in several interdisciplinary art projects that have engaged with the Polar Regions and Outer Space. It outlines artistic strategies, including critique, inquiry, representation and sociopolitical intervention, and how the projects address issues of spatial politics, environmental stewardship, and local-global governance structures. I argue that the perspective provided by this framework enables meaningful knowledge crossing different disciplines and reveals insights into the complexity of governance in the global system, highlighting the roles that art and cultural practices can play in shaping our understanding of complex societal-environmental-technological assemblages.