Interactions among Collective Spectators Facilitate Eyeblink Synchronization.

Interactions among Collective Spectators Facilitate Eyeblink Synchronization.
复制标题

DOI:
10.1371/journal.pone.0140774
复制
发表时间:
2015
期刊:
影响因子:
3.7
通讯作者:
Okada T
Okada T
中科院分区:
综合性期刊3区
文献类型:
--
作者:
Nomura R;Liang Y;Okada T

文献摘要

被引文献

相似文献

虽然观众之间的动作和愿望的夹带已经被认为是剧院集体兴奋的基础,但观众之间的认知过程的夹带的作用仍然不清楚。在目前的研究中,通过眨眼反应观察了观众注意力的时间模式。为了确定观众之间的互动对认知夹带的影响及其方向(吸引或排斥),我们比较了以下两组的眨眼同步性:(1)实验条件,观众(7名经常观看者和7名首次观看者)现场观看现场表演;(2)对照条件,观众(15名经常观看者和15名首次观看者)在个人实验环境中观看录像表演(结果已在先前的研究中报道)。研究结果表明,实验条件下的非同步性指标(即D间隔)的平均值远低于控制条件下的平均值。经常观看的观众有一种中等的吸引力,随着故事的进展而增加,而对于第一次观看的人来说,整个故事都观察到了很强的吸引力。从认知夹带和躯体夹带的角度讨论了现场表演中观众之间相互作用的吸引效应。
Whereas the entrainment of movements and aspirations among audience members has been known as a basis of collective excitement in the theater, the role of the entrainment of cognitive processes among audience members is still unclear. In the current study, temporal patterns of the audience’s attention were observed using eyeblink responses. To determine the effect of interactions among audience members on cognitive entrainment, as well as its direction (attractive or repulsive), the eyeblink synchronization of the following two groups were compared: (1) the experimental condition, where the audience members (seven frequent viewers and seven first-time viewers) viewed live performances in situ, and (2) the control condition, where the audience members (15 frequent viewers and 15 first-time viewers) viewed videotaped performances in individual experimental settings (results reported in previous study.) The results of this study demonstrated that the mean values of a measure of asynchrony (i.e., D interval) were much lower for the experimental condition than for the control condition. Frequent viewers had a moderate attractive effect that increased as the story progressed, while a strong attractive effect was observed throughout the story for first-time viewers. The attractive effect of interactions among a group of spectators was discussed from the viewpoint of cognitive and somatic entrainment in live performances.