Female Spectacle: The Theatrical Roots of Modern Feminism
Female Spectacle: The Theatrical Roots of Modern Feminism
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女性景观：现代女权主义的戏剧根源
DOI：
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发表时间：
2000
期刊：
影响因子：
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通讯作者：
S. Glenn
中科院分区：
文献类型：
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作者：
S. Glenn
介绍1。伯恩哈特效应：自我广告与奇观时代2。《欢乐与欢乐：喜剧的政治》坚强的个性：女性的模仿和自我的发挥《莎乐美的美国化：庸俗公主的性、种族和事业》《敌人的眼睛》：女性激进主义与戏剧的悖论“全国广告腿”：百老汇如何创造了“女孩们”“像所有其他女性一样，只是更像”：合唱团女孩问题和美国文化结论：女性奇观的遗产
Introduction 1. The Bernhardt Effect: Self-Advertising and the Age of Spectacle 2. Mirth and Girth: The Politics of Comedy 3. The Strong Personality: Female Mimics and the Play of the Self 4. The Americanization of Salome: Sexuality, Race, and the Careers of the Vulgar Princess 5."The Eyes of the Enemy": Female Activism and the Paradox of Theater 6."Nationally Advertised Legs": How Broadway Invented "The Girls" 7."Like All the Rest of Womankind Only More So": The Chorus Girl Problem and American Culture Conclusion: The Legacy of Female Spectacle Abbreviations Notes Acknowledgments Index