'To be creative is to exist': rejecting resilience, enacting Sumud in the cultural resistance of ASHTAR theatre
'To be creative is to exist': rejecting resilience, enacting Sumud in the cultural resistance of ASHTAR theatre
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“有创造力就是存在”：拒绝弹性，在阿什塔剧院的文化抵抗中扮演苏穆德
DOI：
10.1080/13569783.2020.1831907
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发表时间：
2021
期刊：
影响因子：
--
通讯作者：
Lax A
中科院分区：
文献类型：
--
作者：
Lax A
本文问题化的概念，“服从”，和全球化的权力动态背后的叙事克服逆境的背景下，巴勒斯坦戏剧。通过探索ASHTAR的工作，特别是专注于艺术家Iman Aoun，本文探讨了缺乏政治和实际团结的语言和议程的弹性。这种对实践的分析是在边界航行、空间和地点以及抵抗模式的理论框架内进行的，巴勒斯坦的sumudis概念作为一个本土的透镜被突出来看待西岸艺术界的政治抵抗。
This article problematises the concept of ‘resilience’, and the globalised power dynamics which lie behind a narrative of overcoming adversity in the context of Palestinian Theatre. By exploring the work of ASHTAR, specifically focusing on the artist Iman Aoun, this paper examines the lack of political and practical solidarity revealed in languages and agendas of resilience. This analysis of practice is set within a theoretical framework of border navigation, space and place, and of modes of resistance where the Palestinian concept ofsumudis foregrounded as an indigenous lens to view the infrapolitical resistance of the West Bank arts community.