O "crioulo Dudu": participação política e identidade negra nas histórias de um músico cantor (1890-1920)
O "crioulo Dudu": participação política e identidade negra nas histórias de um músico cantor (1890-1920)
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O“crioulo Dudu”：参与政治和黑人音乐历史的身份（1890-1920）
DOI：
10.1590/2237-101x011020007
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发表时间：
2010
影响因子：
1.1
通讯作者：
Martha Abreu
中科院分区：
文献类型：
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作者：
Martha Abreu
本文以被称为“Crioulo Dudu”（“黑人Dudu”或“克里奥尔语Dudu”）的Eduardo Das Neves的发展轨迹以及他的作品和音乐曲目为出发点，探讨了巴西第一共和国时期黑人音乐家政治表达的可能性。考虑到关于“黑大西洋”的辩论、出版市场和唱片业的增长，可以将爱德华多·达斯·内维斯定位为19世纪末20世纪初建立的流行音乐领域的活跃制作人。杜杜通过创作和传播爱国主义歌曲，以讽刺和不敬的方式讨论后解放时期的种族关系和黑人身份，为音乐世界赋予了特殊的政治维度。研究杜杜的轨迹和音乐作品，可以重新思考第一共和国时期关于政治参与和黑人身份的一些既定观点。
Using the trajectory of Eduardo Sebastiao das Neves, known as "Crioulo Dudu" ("Black Dudu", or "Creole Dudu"), as well as his compositions and musical repertoire as a starting point, this essay discusses the possibilities of black musician political expression during the Brazilian First Republic. Taking into account the debates on the Black Atlantic, the growth of publishing market and recording industry, it was possible to locate Eduardo das Neves as an active producer in the field of popular music that was being built between the late nineteenth and early twentieth centuries. Dudu gave special political dimensions to the music world by creating and disseminating songs that valorized patriotism and that discussed race relations and black identity in the post-emancipation period in an ironic and irreverent way. To examine Dudu's trajectory and musical work allows rethinking some established views on political participation and black identity during the First Republic.