Contents tourism: background, context, and future.
Contents tourism: background, context, and future.
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内容旅游：背景、背景和未来。
DOI：
10.1080/14766825.2020.1707460
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发表时间：
2020
影响因子：
2.2
通讯作者：
Takayoshi
中科院分区：
文献类型：
--
作者：
Graburn;Nelson and Yamamura;Takayoshi
本文对以往内容旅游研究中所讨论的问题进行了简要的概述，旨在为分析跨媒体、内容多元化时代的内容旅游现象提供基本的理论框架。内容旅游是一个日语词汇，指的是受大众文化刺激的旅游。在目前的情况下，粉丝游客以及内容企业和地方当局/社区都在旅游业的背景下展示他们的创造力，并通过各种媒体传递他们的内容。每个演员的这些创造性活动越来越模糊了他们之前的关系，导致形成了相对松散的社区，超越了从属关系和国籍，分享内容作为一种交流工具。换句话说，主持人和嘉宾之间的关系被模糊了，形成了一个以内容连接、超越以往差异的社区。从这个角度出发，在本期特刊中，我们将探讨内容旅游在日本的发展及其跨文化的全球影响，以及其他国家的可比发展，特别是内容旅游的创造力和粉丝群体的增长。
This introductory essay shows a brief overview of issues discussed by previous contents tourism studies to provide the basic theoretical framework on analyzing contents tourism phenomena in the age of transmedia, multi-use of contents.Contents Tourismis a Japanese word designating tourism which is stimulated by Popular Culture. Under the present circumstances, fan tourists, as well as contents businesses and local authorities/communities, are all expressing their creativity in the context of tourism and delivering their contents through a variety of media. These creative activities by each actor increasingly blur their previous relationships, resulting in the formation of relatively loosely-bound communities transcending affiliations and nationalities, sharing contents as a communication tool. In other words, the relationships between the host and guests are blurred and a community connected by contents and transcending previous differences has been formed. From this point of view, in this special issue, we will explore the development of contents tourism in Japan and its trans-cultural global influences, as well as comparable developments in other countries, focusing especially on the creativity of contents tourism and the growth of ‘tribes’ of fans.