Postfeminism and Paternity in Contemporary US Film: Framing Fatherhood
Postfeminism and Paternity in Contemporary US Film: Framing Fatherhood
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当代美国电影中的后女权主义和父权：塑造父权
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发表时间：
2013
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通讯作者：
Hannah Hamad
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作者：
Hannah Hamad
本书探讨了二十一世纪初美国流行电影中对父亲身份的表现。它将它们置于与后女权主义话语的关系中，识别并讨论流行电影以父亲的方式配置理想男性气质的趋势中出现的主导范式和比喻。它分析了一系列类型的后女权主义父亲身份，包括历史史诗、战争片、西部片、兄弟爱情喜剧、男性情节剧、动作片、家庭喜剧等。它还探讨了反复出现的主题和交叉点，例如通过父亲身份使衰老的男性气质恢复活力、未成熟成年男性气质的父权化恢复、电影中的父亲身份与9/11文化之间的关系、父亲身份表征中的后种族话语以及父亲身份的历史形成。这是第一本探讨大众电影中父亲身份与后女权主义之间关系的长篇研究。
This book interrogates representations of fatherhood across the spectrum of popular U.S. film of the early twenty-first century. It situates them in relation to postfeminist discourse, identifying and discussing dominant paradigms and tropes that emerge from the tendency of popular cinema to configure ideal masculinity in paternal terms. It analyses postfeminist fatherhood across a range of genres including historical epics, war films, westerns, bromantic comedies, male melodramas, action films, family comedies, and others. It also explores recurring themes and intersections such as the rejuvenation of aging masculinities through fatherhood, the paternalized recuperation of immature adult masculinities, the relationship between fatherhood in film and 9/11 culture, post-racial discourse in representations of fatherhood, and historically located formations of fatherhood. It is the first book length study to explore the relationship between fatherhood and postfeminism in popular cinema.