Back into Focus: Women Filmmakers, the Amateur Trade Press and 1960s British Amateur Cinema
Back into Focus: Women Filmmakers, the Amateur Trade Press and 1960s British Amateur Cinema
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重新聚焦：女性电影制片人、业余商业媒体和 20 世纪 60 年代英国业余电影
DOI：
10.1111/1468-0424.12702
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发表时间：
2023
期刊：
影响因子：
0.5
通讯作者：
Johnston K
中科院分区：
文献类型：
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作者：
Johnston K
虽然最近的奖学金有助于揭示不同商业电影行业中女性的具体故事，但在国家业余背景下，业余女性电影制片人的角色仍然存在空白。男性业余电影制作通常与一系列单独或基于群体的休闲活动联系在一起，我们不能对女性业余电影制作人参与社会群体做出同样的假设，尤其是由于战后家庭和非工作活动的性别性质。本文认为，在整个20世纪60年代的妇女的创造性劳动的代表性占主导地位的和父权制的贸易杂志，英国的业余电影世界。结合女权主义和数字人文方法，我们可以分析这本杂志的数据，揭示围绕女性业余创造力的反复辩论和紧张局势，特别关注技术的性别特征。
While recent scholarship has helped uncover specific stories of women in different commercial cinema industries, there remains a lacuna around the role of amateur women filmmakers within national amateur contexts. Where male amateur filmmaking has often been linked to a range of solitary or group‐based leisure pursuits, we cannot make the same assumption about women amateur filmmaker’s involvement in social groups, not least due to the gendered nature of domestic and non‐work activities in the post‐war era. This article considers the representation of women's creative labour across the 1960s within a dominant and patriarchal trade journal, Britain'sAmateur Cine World. Combining feminist and digital humanities approaches allows us to analyse data from this magazine to reveal recurring debates and tensions around women's amateur creativity, with particular concerns around domesticity, leisure and the gendered nature of technology.